Byzantine Gold Cross Pendant

A miniature tzikourion comprising a crescentic blade with long neck, flared socket and leaf-shaped blade to the rear; gilt surface with reserved florid and tendril detailing, stylised cross to the flared socket. 28.88 grams, 10.9 cm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. no.12340-225024.

It is possible that this axe was used as a status symbol for officers or their family. The axe was known to be a symbol of the Varangian Guard who protected the emperor.

With a low-relief Corpus Christi, small cross above the head flanked by a sun and crescent moon. 5.57 grams, 46 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.

Bifacial lead plaque with figurative decoration: obverse with Saint George, nimbate, on his horse killing a fallen foe with his spear; 'ΓΕΟΡΓ' label above the horse's neck, raised border with pellets and pellet clusters; reverse with relief pattern of a double circle decorated with double arcs forming a cross pellet to the centre. 48.8 grams, 64 mm



Private collection Mr S.A., Switzerland, before 1992, thence by descent.

According to the Christian tradition, Saint George would have lived between the end of the 3rd century and the beginning of the 4th century: born into a noble Christian family, he became an officer in the Roman army and was then named a prefect by Diocletian. But when the same emperor decided to resume the persecutions, Saint George became a victim despite his important political rank. His role in the development of the faith is so important that he is included among the Great Martyrs of the Eastern Church and his fight against the dragon becomes a symbol par excellence of the fight for Good which defeats Evil. In the Christian symbolism of the Middle Ages, the circle, a perfect geometric shape which has neither beginning nor end, designates the universe whose centre is the source and thus evokes Jesus.