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LOT 0191
Byzantine Gold and Crystal Seal Pendant
6TH-7TH CENTURY A.D. OR LATER
1 1/8 in. (9.27 grams, 29 mm).
Composed of a tapering octagonal body, intaglio image of a robed and winged figure of Archangel Michael standing left, holding a Christian cross to base, granulated gold frame with suspension loop.
ProvenanceFrom the collection of a North American gentleman, formed in the 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11864-200658.
Cf. Ross, M.C., Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection, Volume 2: Jewelry, Enamels and Art of the Migration Period, Washington, 2005, pl.XCVIII, items 62,179, for similar engravings of an angel on a ring and a pendant; the same image appears on the coins of Anastasios I (491-518), see Wamser, L., Die Welt von Byzanz - Europas Östliches Erbe, München, 2004, item 44, 639 (ring).
FootnotesThe Roman motif of winged Victory bearing a laurel wreath was slowly replaced with the image of Archangel Michael carrying the victory cross when the Roman Empire converted to Christianity.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Byzantine Bronze Horse Harness Boss Pendant
15th century A.D.Sold for (Inc. bp): £78
Large domed centre with low-relief sun wheel design, pellets to the rim and suspension loop above. 28.6 grams, 75 mm
From the collection of a North American gentleman, formed in the 1990s.
In the late period of Byzantium, round-shaped buckles and horse harness mounts were often decorated with beaded edges and with floral embossed ornaments, under the influence of the Ottoman Turks. They have the shape of a small shield and impressed decoration of a rose. If belt appliques, they have an extra boss for attachment, instead of the loop usually attached to the horse harness pendants. -
Byzantine Gold Filigree Finial
6th-14th century A.D.Estimate: £250 - 350 (+bp*)
Opening Bid: £125
Of hollow, bulbous form, now slightly squashed, four pellets to each side and an apex pellet, granule clusters to both hemispheres, socket to base with roughly square-shaped cross-section, three circular attachment piercings with granulated borders. 2.47 grams, 17 mm
From a late Japanese specialist collector, 1970-2000s. -
Byzantine Bronze Plaque with Bird Inlay
Circa 10th-11th century A.D.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £2,000
Sub-rectangular in form with raised rectangular panel to centre, cells forming X-motif inlaid with red glass(?) against a blue field, central nacre(?) roundel engraved with a perched bird with polychrome enamelled detailing; trace remains of gilding to upper and side edges; piercing to each corner. 20.6 grams, 38 mm
Acquired in London, early 1980s. Purchased in Europe before 1992. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11811-206495.
The small square plaque was possibly part of the decoration of an Evangeliary, such as the enamels covering the binding of Henry II's Perikopenbuch, or the Siena Evangeliary (11th-13th century). Byzantium brought the enamel and cloisonné technique to its most perfect, refined and skilful expression. Between the 10th and 11th centuries it spreads its forms in the East and West and after some infiltration in the Romanesque-Lombard sphere, precious Eastern Roman cloisonnes were found in Russian art, reaching their apex in the Roman Empire during the 10th-12th centuries, in the decoration of icons and other artworks.
