Loading, please wait...
LOT 0173
Byzantine Bronze Processional Cross Fragment with Inlaid Silver Bust
10TH CENTURY A.D.
2 1/2 in. (121 grams, 64 mm).
Irregular fragment with attachment holes along both lateral edges; inlaid silver nimbate bust with processional cross to the left shoulder, inside an arched border; inlaid legend above, possibly Coptic script; perhaps used as a trade-weight. [No Reserve]
ProvenanceEx Ariadne Galleries, New York, USA, 2009.
Ex central London gallery.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0173
Byzantine Bronze Processional Cross Fragment with Inlaid Silver Bust
Sold for (Inc. bp): £520
-
Byzantine Silver Pendant Collection
7th-11th century A.D.Sold for (Inc. bp): £247
Comprising of four penannular pendants with applied pelletted decoration; three with attachment loops. 8.6 grams total, 18-30 mm
UK private collection before 2000. Acquired on the UK art market. Private collection, London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Byzantine Stone Carving of Saint Peter
6th-7th century A.D.Sold for (Inc. bp): £3,250
Rectangular marble panel with half-round figure of standing Saint Peter between two columns, holding ring with three keys and scroll in one hand, inscription 'ΠΕTPOC' to the upper right corner; finely carved low-relief cross with wide arms to the reverse; repaired and mounted on a custom-made display stand. 103 grams, 10.4 cm (132 grams total, 11.7 cm including stand)
Some repairs.
with The Bactria Corp., NYC, USA, 1970s. Private collection, New York, USA. with Arte Primitivo, New York, USA, 17 March 2021, no.619 ($9,920.00). Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12839-240781. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The relief shows similarities with scenes from sarcophagi made in Constantinople, which depict miracles of Christ witnessed by the Apostles, especially Saint Peter. In particular, due to its similarity to fragments of a sarcophagus from Leontopolis but carved in Byzantium, the scene may depict the healing of the blind man of Jericho, with Peter witnessing the miracles performed by Jesus. -
Byzantine Rock Crystal Stamp Seal in Silver Pendant with Military Saint on Horseback
Circa 6th-7th century A.D.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
With a tapering octagonal body, the military saint on horseback holding a long spear, the horse wearing a detailed harness; set in a conical silver frame with suspension loop and crenellated edge. 7.9 grams, 30 mm
From an old New Zealand private collection. Acquired on the New Zealand art market circa 2014. Property of a New Zealand legal professional. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12327-223721. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The motif of a saint on horseback was common in the Romano-Christian culture of the 6th-7th centuries. The figure of a saint symbolised protection of the local church or monastery and its community, and could also be related to the priest leader of the community, as their personal seal.