Byzantine Bronze Openwork Bell

With a large sub circular filling hole and a narrow channel running towards the nozzle; stylised animal motifs and linear decoration to the body; the integral handle formed as the head of a goddess with rounded face and curly hair; low basal ring from which raised tendrils radiate. 79 grams, 11.6 cm



Acquired before 1990s/early 2000s. From the family collection of Jack Lyttle (1944-2023), Kilmacolm, Scotland; thence by descent to his granddaughter. Property of an East Sussex, UK, gentleman.

Hollow-formed drum with domed lower face, applied collar and two rows of granules, split loop above. 3.11 grams, 23 mm



Ex European collection formed in the 1990s. Acquired from a North London gallery. Property of an Essex gentleman.

With sloping walls and a thin everted rim, the interior of the vessel engraved with a scene comprising four nimbate Evangelists around a central figure of beardless Christ, each holding a gospel in the right hand, the left hand raised to make the sign of blessing; the four Evangelists each depicted beneath an arch with a Corinthian column flanking, the body of the column decorated with fish-scale motifs. 418 grams, 29.2 cm

Fine condition.

Private German collection since the 1980s. Acquired on the German art market in 2001. Property of a gentleman. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.10940-181731.

This vessel belongs to a well-known type of rich liturgical objects, likely produced in the workshops of the Imperial capital, Constantinople, although the style used to present Christ and the Evangelists in this artwork points to an important provincial craftsman, certainly influenced by Islamic and Persian iconography. Patens and chalices were the essential containers for the bread and wine of the Divine Liturgy (Eucharist) in Byzantium.