Byzantine Bronze Artefact Collection

Composed of a box-type semi-circular body with scalloped frame, central circular cell with blue glass bead inlay, filigree wire border and pellet to each arm, granule clusters to the body, three dangles supporting glass beads. 4.66 grams, 29 mm



From a late Japanese specialist collector, 1970-2000s.

Carinated with a domed upper face, circular filling hole and spout, remains of handle, raised linear motifs. 65 grams, 90 mm



Acquired 1970s onwards. Private collection of Michael O'Hara, Cambridgeshire, UK. Ex private collection of Benjamin Hyde-Smith, Hertfordshire, UK.

Sub-rectangular in form with raised rectangular panel to centre, cells forming X-motif inlaid with red glass(?) against a blue field, central nacre(?) roundel engraved with a perched bird with polychrome enamelled detailing; trace remains of gilding to upper and side edges; piercing to each corner. 20.6 grams, 38 mm



Acquired in London, early 1980s. Purchased in Europe before 1992. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11811-206495.

The small square plaque was possibly part of the decoration of an Evangeliary, such as the enamels covering the binding of Henry II's Perikopenbuch, or the Siena Evangeliary (11th-13th century). Byzantium brought the enamel and cloisonné technique to its most perfect, refined and skilful expression. Between the 10th and 11th centuries it spreads its forms in the East and West and after some infiltration in the Romanesque-Lombard sphere, precious Eastern Roman cloisonnes were found in Russian art, reaching their apex in the Roman Empire during the 10th-12th centuries, in the decoration of icons and other artworks.