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LOT 2166
Buddhist Ceramic Prayer Bead String
20TH CENTURY A.D.
28 in. (20.4 grams, 71 cm long).
Restrung; composed of green-coloured beads of mainly spherical types. [No Reserve]
ProvenanceUK gallery, early 2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Indus Valley Ceramic Fertility Idol
3rd-2nd millennium B.C.Sold for (Inc. bp): £124
Modelled as a free-standing, stylised female figure with a pinched face, dressed hair, bulbous breasts and hands pressed palms-down against her torso and waist. 326 grams, 13 cm high
Private collection, 1989. Acquired on the UK art market. -
Indus Valley Fertility Idol Group
3rd-2nd millennium B.C.Sold for (Inc. bp): £585
Three bell-shaped female figures with stylised anatomical and facial features, two shown cupping their breasts; one idol with remains of painted detailing to the lower body and semi-naturalistic hair and face detailing as well as feet emerging from beneath her garments; each mounted on a custom-made display stand. 2.39 kg total, 24.5-32.5 cm
Private collection, 1989. Acquired on the UK art market. -
Mughal Stone Openwork Arch with Birds
15th-16th century A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £533
Carved in limestone with a D-shaped frame enclosing openwork panel with fronds of leaves and flowers and a pair of addorsed doves and a median rosette; mounted on a custom-made stand; from north India region. 20 kg total, 74.5 cm wide including stand
with a London, UK gallery 1971-early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.202355.
The motif of two birds flanking a plant on which they stand is well-known from Late Antique and Byzantine art, although the central stem is usually a cross or christogram in such cases e.g. on the left side of the sarcophagus of St. Savino, Fusignano, Italy. Islamic art generally does not favour the inclusion of naturalistic representations of living beings.
