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LOT 2166
Buddhist Ceramic Prayer Bead String
20TH CENTURY A.D.
28 in. (20.4 grams, 71 cm long).
Restrung; composed of green-coloured beads of mainly spherical types. [No Reserve]
ProvenanceUK gallery, early 2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Framed Watercolour Painting
India, 20th century A.D.Sold for (Inc. bp): £94
Depicting a hunt scene, composed of a prince riding a horse embroiled in a violent clash with a wild boar, the prince holding a bow and reins in his left hand, spearing the boar with a sword held in his left, quiver and shield attached to his belt; mounted in a reveal and a glazed wooden frame. 905 grams, 38 x 30 cm
Fine condition.
Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art. -
Indus Valley Etched Orange Carnelian Bead Necklace String
Circa 3rd millennium B.C. or laterSold for (Inc. bp): £546
Composed of restrung graduated and polished beads, each etched with a white geometric design on both faces. 15 grams, 50 cm long
UK gallery, early 2000s. -
Mughal Stone Openwork Arch with Birds
15th-16th century A.D.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £533
Carved in limestone with a D-shaped frame enclosing openwork panel with fronds of leaves and flowers and a pair of addorsed doves and a median rosette; mounted on a custom-made stand; from north India region. 20 kg total, 74.5 cm wide including stand
with a London, UK gallery 1971-early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.202355.
The motif of two birds flanking a plant on which they stand is well-known from Late Antique and Byzantine art, although the central stem is usually a cross or christogram in such cases e.g. on the left side of the sarcophagus of St. Savino, Fusignano, Italy. Islamic art generally does not favour the inclusion of naturalistic representations of living beings.
