Buddhist Bronze Deity Head

A framed watercolour portrait on paper portraying a male figure looking left, wearing a plumed turban and holding a sword or dagger, set against a large cushion and atmospheric sky; concentric rectangular borders containing inscriptions within polygonal cartouches, interspersed with scrolling floral panels; oval stamp to reverse. 87 grams, 42.2 x 33.5 cm

Fine condition.

Ex property of a Greater Manchester collector.

A substantial squat jar with everted rim, bands of circumferential linear ornament and frieze to the shoulder with zebu and foliage. 2.6 kg, 28 cm

Fine condition.

From the property of a London gentleman; previously in the private collection of the late David Gold, formed 1970s. From the private collection of John Meredith, acquired since the 1990s; thence by descent.

David Gold amassed a sizable collection of Indus Valley pottery, both vessels and figurative during his retirement, a plaque to David and his brother was recently unveiled by Westminster Council above 43 Carnaby Street, commemorating their business that made Carnaby Street synonymous with fashion in the 1960s.

Comprising: a barrel-shaped bead with floral decoration, two flattened barrel-shaped beads with geometric motifs, one discoid bead with crux gammata, and other beads with geometric decoration. 61.03 grams total, 9.84-49.06 mm



From the private collection of a European gentleman (1942-2024), formed since the 1970s.

Etched carnelian beads are characteristic of the Indus Valley culture and have been produced since the third millennium B.C. They are a typical product of the Harappa culture, but they are also attested in later millennia and produced elsewhere in Southeast Asia. The oldest specimens come from the Indus Valley and from Mesopotamia. A few specimens were found in the so-called royal cemetery of Ur, where they were identified in the excavation publication as coming from India.