Loading, please wait...
Details
LOT 0960
Bronze Roman Coin and Framed Limited Edition Print
3RD CENTURY A.D. AND LATER
19 1/2 x 14 3/4 in. (1.26 kg, 49.5 x 37.5 cm).
The coin of Constantine the Great (272-337 A.D.) mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 169/1150. [No Reserve]
Provenance
UK gallery, early 2000s.
Accompanied by a previous certificate of authenticity.
Literature
Cf. for parallel scientific reconstructive paintings Wilcox P., McBride A., Rome's Enemies (2), Gallic and British Celts, London, 1985, pl.G.
Footnotes
David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Roman Wooden Tablet with a Sales Contract Made on the Goretiano Estate in the Province of Byzacena
4th century A.D.Sold for (Inc. bp): £6,240
Well preserved rectangular tablet made of cedar wood with a recessed panel to the inner face, the outer face flat and not inscribed; the second and last tablet of a Roman sales contract; the inner face inscribed in Roman cursive script using ink and calamus, fourteen lines of Roman cursive script written within the recess; two small holes both near the upper and lower rim (for binding the tablets of this document together); the text consists of dispositions regarding the sale of a special category of land (gemiones) and ends with the obligatory stipulatio formula: 'stipulata est Macrinia B., spopondidit Iulius L. – Macrinia B. stipulated, Iulius L. (as the vendor) gave the counter promise'. 44.3 grams, 15.6 x 14.1 cm
Acquired by Albert Sfez in the early 1950s. Formerly the property of Monsieur Alain Sfez, a Belgian collector; acquired by gift from his father, Albert Sfez, in 1965. Acquired by a London dealer in 1973. From an important London collection since 1975; thence by descent. Accompanied by a copy of an illustrated academic report by Professor Dr phil. Peter Rothenhöfer. -
Roman Banded Agate Gemstone with Silenus
2nd-3rd century A.D.Sold for (Inc. bp): £143
With intaglio head of Silenus in profile; supplied with a museum-quality impression. 0.30 grams, 9.87 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s. -
Roman Terracotta Bullae, Tesserae or Token Group
3rd century B.C.-1st century A.D.Sold for (Inc. bp): £104
A mixed group of ceramic bullae, tesserae or theatre tokens bearing low-relief motifs, mainly consisting of profile busts of deities. 31 grams total, 14-21 mm
From the private collection of a European gentleman (1942-2024), formed since the 1970s.
The term 'tessera' was used in Roman times to convey the Greek term σύμβολον (token). Small tiles are known as tokens, often shaped like coins, made of metal (copper, lead, iron), clay, bone, wood, or glass, stamped as well as engraved. The tokens, however, are not exclusively coin-shaped, as the Latin term 'tessera' suggests by etymologically referring to a square or at least a four-sided shape and confirmed in several cases by material remains of the past. Tokens and tesserae seem to have been used both in Athens and Rome for the distribution of goods. According to written sources, the term token is identified with credentials of the official authorities. They have also been interpreted as tokens of identity, as entrance tickets to theatre performances, tribunals or assemblies of citizens, archival material of seal engraving, as pawns in games, Charon’s obols and even as amulets.