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LOT 0364
Bourbon Era Gold Devotional Pendant with Verre Eglomise Miniatures of Saint Catherine of Alexandria and Saint John of Nepomuk
SPAIN, CIRCA 1700 A.D.
1 3/4 in. (29.1 grams, 43 mm).
Featuring a gold mount with twisted ropework border and scalloped edges securing bevelled glass coverings, one side depicting nimbate Saint Catherine of Alexandria wearing a pale blue dress with a red cloak, holding a gilt palm frond; the other side with Saint John of Nepomuk dressed in clerical attire and holding a gilt cross and a palm frond.
ProvenanceAcquired on the European art market.
FootnotesSaint Catherine of Alexandria was a Christian saint and virgin who was martyred in the early 4th century at the hands of the Emperor Maxentius. She was both a princess and a noted scholar who became a Christian around the age of 14, converted hundreds of people to Christianity and was martyred around the age of 18. More than 1,100 years after Catherine's martyrdom, Joan of Arc identified her as one of the saints who appeared to and counselled her. Saint John of Nepomuk (c. 1345 – 20 March 1393) was the saint of Bohemia (Czech Republic) who was drowned in the Vltava River at the behest of Wenceslaus IV of Bohemia. Later accounts state that he was the confessor of the queen of Bohemia and refused to divulge the secrets of the confessional. Based on this account, John of Nepomuk is considered the first martyr of the Seal of the Confessional, a patron against calumnies and, because of the manner of his death, a protector from floods and drowning. Verre églomisé is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy (1711–1786), who was responsible for its revival. Glomy's technique was a relatively simple one of applying decorative designs in a combination of plain colour and gilding, usually to glass picture frames. However, over time, it has come to be used to describe nearly any process involving back-painted and gilded glass, however elaborate.
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LOT 0364
Bourbon Era Gold Devotional Pendant with Verre Eglomise Miniatures of Saint Catherine of Alexandria and Saint John of Nepomuk
Sold for (Inc. bp): £1,170
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Original NASA Press Photograph Group
1962-1968 A.D.Sold for (Inc. bp): £85
Comprising: original photo print of an astronaut with press and others around him, endorsed 'NASA For Release: February 22, 1962. NASA Photo No. 62-MA6-119. Cape Canaveral, FLA. Astronaut John H. Glenn Jr after world orbital flight, surrounded by fellow Astronauts Donald K Slayton and M. Scott Carpenter'; rocket lifting off from launch pad, endorsed 'John F. Kennedy Space Center, National Aeronautics and Space Administration, Kennedy Space Center, Florida 32899. Photo Credit: NASA or National Aeronautics and Space Administration..... Photo No 126P-KSC-67P-122 For Release March 22, 1967 Kennedy Space Center, FLA -- A Delta launch vehicle carrying an Intelsat 11communications satellite lifted off at 20:30 EST from Cape Kennedy's Launch Complex 17. NASA launched the satellite for the 56-nation International Telecommunication Satellite Consortium. The new commercial communications satellite will be placed into a stationary orbit above the Atlantic Ocean and will relay telephone, television, teletype and facsimile transmissions between North America and Europe. It also will provide communications support for NASA's Apollo lunar landing program. Two previous Intelsat satellites linked the United States mainland with the Pacific, the new one joins Early Bird, the world's first commercial communications satellite over the Atlantic; Saturn V rocket ready for lift-off, endorsed 'John F. Kennedy Space Center, National Aeronautics and Space Administration, Kennedy Space Center, Florida 32899. Photo Credit: NASA or National Aeronautics and Space Administration.....107-KSC-68P-120 UNCL.4-4-68. NASA/SATURN. The National Aeronautics and Space Administration's second unmanned Apollo/Saturn V space vehicle was launched today at 7:00 AM EST from Kennedy Space Center's Complex 39. Saturn 502'; original print of an astronaut on the surface of the moon with Lunar Roving Vehicle in foreground, notation 'NASA AS15-85-11437' to top left, no endorsement. 71 grams total, 25 x 20.4 - 25.4 x 20.5 cm
Acquired on the UK art market. Property of a Harwich, UK, collector. -
Renaissance Gold Pendant with Agate Gemstone of Cupid
Italy, late 16th-early 17th century A.D.Sold for (Inc. bp): £3,640
Cupid shown standing amid the vegetation, his wings and arms spread and holding two short staffs in his hands, clouds and the sun above; set in a gold frame with a conical pendant drop below; supplied with a museum-quality impression. 13.53 grams, 75 mm
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13341-257981.
The cameo shows a Cupid in the same style as the one in the British Museum Sloane collection. Cupid was a very popular motif in 17th-century Italian artistic production. The presence of Cupid on the cameo implies amorous attachment, or sometimes, amorous conflict. The cameo shows a sophisticated atmosphere, relayed in the brown and grey colours. -
Chalcedony and Silver-Gilt Bust of the Emperor Vespasian
Italy, 17th-18th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
The head, carved from pale green chalcedony, polished to a smooth lustre and with a drilled aperture at the crown, the hair in tight curls around the nape and crown; the silver-gilt torso dressed in a draped toga carefully chased with deep folds and traces of gilding across the high points; mounted on a later patinated bronze column stand in the neoclassical manner. 208 grams total, 10.9 cm high including stand
Acquired on the European art market.
This small-scale portrait evokes the Roman tradition of imperial portraiture and the early modern fascination with the ancient world. From the seventeenth century onwards, artists and collectors revived classical subjects through hardstone and gilt-metal compositions, often intended for display in Kunstkammer or Grand Tour contexts. The combination of a reused ancient or earlier element with a later mount was a practice typical of the Renaissance and Baroque periods, reflecting the period’s reverence for antiquity and its imaginative recontextualisation of ancient forms.
