Bedouin Silver-Coloured Metal Ring with Gemstone

Hollow-formed with pie-dish bezel and inset cameo. 3.17 grams, 21.26 mm overall, 17.72 mm internal diameter (approximate size British L, USA 5 3/4, Europe 11.24, Japan 10)



Private collection, Europe. Acquired on the English art market.

The cameo is Italian and carved in the classical style of the 2nd century AD, although it dates to the 18th century. Her hair is tied back, and she is wearing a double-banded diadem. The agate displays a deep umber hue, with the bust depicted in light bluish white with highlights of light caramel. In the late 18th century, interest in the classical world became exponentially high, and demand became great for objects from or relating to the ancient world. The high-carat gold ring dates to the late 18th century; there is a small dent to the shoulder of the band.

Depicted lying on a riverbed, leaning on his right side, his aged face framed by a rich, flowing beard, his wavy hair held back by a taenia; his body, naked and corpulent, is covered only by a light cloak wrapping his legs; his left hand is stretched forward, his right hand resting on a vase pouring water from the river; the figure stands out against a smooth, semicircular cut wall; mounted on an old collection marble base. 13 kg, 44.5 cm wide

With evidence of break along outer edges suggesting the fragment was once part of a larger composition or fountain. Areas of old glue remnants to the broken edge. The marble is stable, with age staining to the entire surface; minor chips throughout but generally in very good condition.

Previously in an old European collection, probably from the 18th/19th century, based on the old collection marble base and mounting technique. Private collection, France. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 13239-251810.

The representations of river or sea divinities usually depicted them in the same position, with naked torso wrapped only in a wide cloak, and usually bearded. The sculpture bears similarities with the sculpture of a river divinity, in the Archaeological Museum of Napoli (inv. 5977), from Rome and belonging to the Farnese Collection, from the second half of the 2nd century A.D.

Resin casting of the tablet with ornament; obverse: frieze with two opposed standing figures below a pediment with mythological creatures, cuneiform text below and in the scene; reverse: dense panel of cuneiform text; cosmological symbols to upper edge; mounted on a custom-made stand. 1.15 kg total, 21 cm including stand



From the collection of David Donlan (1947-2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.