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LOT 0344
Baroque Gold, Ruby and Enamel Ring
CIRCA 1620-1640 A.D.
1 in. (4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)).
A gold ring composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.
ProvenanceAcquired from Les Enluminures Ltd, Illinois, USA, 2016.
Property of an East Sussex collector.
Accompanied by a Les Enluminures certificate of authenticity.
Accompanied by a copy of the Les Enluminures invoice.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Cf. Fuhring, P. ed., 'Le Style' cosse de pois' L'orfevrene et la gravure a Paris sous Louis XIII, in Cazette des Beaux Arts, January 2002, for the pea-pod ornament; cf. Chadour, A., Rings. The Alice and Louis Koch Collection, Leeds, 1994, vol. 1, no.701; cf. Oman, C., British Rings 800-1914, London, 1987, pl.96.c, for type; cf. Scarisbrick, D. et al., Toward an Art History of Medieval Rings: A private Collection, pp.204-205, for comparable.
FootnotesOver the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0344
Baroque Gold, Ruby and Enamel Ring
Estimate £20,000 - 30,000€23,200 - 34,800 (for guidance only)$27,000 - 40,500 (for guidance only)
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Renaissance Painted Child
16th-17th century A.D.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
A child carved naturalistically in relief in wood, enveloped in the folds of a woman's garment and cradled in her right arm and hand; remains of gesso, gilding and polychrome pigmentation; mounted on a custom-made display stand. 3.2 kg total, 42 cm high including stand
English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by searcher certificate number no.11674-199841. -
Tudor Period Bronze Corpus Christi
15th-17th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
A parcel-gilt bronze Corpus Christi with braided crown of thorns and draped loincloth; pierced at the extended hands and crossed feet; hollow to the reverse; mounted on a custom-made stand. 738 grams total, 23.2 cm high including stand
English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11678-199807. -
Post Medieval Watch Key Group
18th-19th century A.D.Sold for (Inc. bp): £59
A mixed group of mainly bronze watch keys, some with manufacturer's name. 75.4 grams total, 20-55 mm
Found Suffolk.