Loading, please wait...
Details
LOT 0344
Baroque Gold, Ruby and Enamel Ring
CIRCA 1620-1640 A.D.
1 in. (4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)).
A gold ring composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box.
Provenance
Acquired from Les Enluminures Ltd, Illinois, USA, 2016.
Property of an East Sussex collector.
Accompanied by a Les Enluminures certificate of authenticity.
Accompanied by a copy of the Les Enluminures invoice.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Literature
Cf. Fuhring, P. ed., 'Le Style' cosse de pois' L'orfevrene et la gravure a Paris sous Louis XIII, in Cazette des Beaux Arts, January 2002, for the pea-pod ornament; cf. Chadour, A., Rings. The Alice and Louis Koch Collection, Leeds, 1994, vol. 1, no.701; cf. Oman, C., British Rings 800-1914, London, 1987, pl.96.c, for type; cf. Scarisbrick, D. et al., Toward an Art History of Medieval Rings: A private Collection, pp.204-205, for comparable.
Footnotes
Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0344
Baroque Gold, Ruby and Enamel Ring
Estimate £20,000 - 30,000€23,200 - 34,800 (for guidance only)$27,000 - 40,500 (for guidance only)
RELATED LOTS
-
Post Medieval Painted Wooden Saint Barbara Statue
17th century A.D.Estimate: £6,000 - 8,000 (+bp*)
Opening Bid: £3,000
A free-standing, naturalistically modelled figure of Saint Barbara, standing in an animated manner beside a scaled-down tower or turret with stone and glass came detailing, the saint shown with one bare foot emerging from beneath the hem of her luxuriant floor-length robes, adorned with a jewel near her right breast and crowned with a jewelled diadem; extensive remains of gesso and polychrome pigmentation; metal fitting to reverse for securing the figure upright. 38.3 kg, 1.34 m high
English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11677-199840.
Saint Barbara is the patron saint of architects. Her father constructed a tower and imprisoned his daughter within it. To honour the Holy Trinity, Barbara had three windows incorporated into the design. The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permethrin, as a precaution. -
Glass Ring with Inlaid Gold Cross
20th century A.D. or earlierSold for (Inc. bp): £234
A translucent, colourless glass finger ring composed of a D-section hoop, expanding at the shoulders to an oval bezel, displaying an encapsulated gold foil cross with expanding arms. 9.73 grams, 29.44 mm overall, 18.16 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)
Acquired 1969-1999. London collection of the late Mr S.M., thence by descent. -
Tudor Period Ring with Armorial Intaglio
Circa 16th-17th century A.D.Sold for (Inc. bp): £52
A copper-alloy ring composed of a slightly convex hoop and octagonal bezel, set with an armorial glass intaglio; remains of polychrome enamelled cells to the vertical bezel edge. 4.95 grams, 26.72 mm overall, 21.47 mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21)
Found Cambridgeshire in the 1990s.