Banded Alabaster Globular Jar

Modelled as a stylised quadruped with large eyes and ears, a columnar suspension loop bar on the back. 40.4 grams, 62 mm



Acquired on the UK art market before 2000. Property of an Essex, UK, gentleman.

With animals and figures; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Hematite. 24 x 10 mm. The design is based on the principle of symetry. In the centre are two reared-up composite animals: bodies of quadrupeds, but wings and heads of birds. Beneath them is a human figure on one knee, nude save for belt around the waist, holding out both hands, each hand over a bird. To either side of this group is a standing man, in short kilt, the one on the right holding one hand at the waist, holding down the other. The one on the left is raising one hand but holding down the other. Above the scene is a vulture with wings spread, and to each side of it a scorpion above a 'flying saucer'. A geometrical figure (two triangles with points meeting) alone straddles the division of the scene. This is a Mitanni seal, c. 1500-1200 B.C., from any part of the area from the eastern Mediterranean to Kurdistan. It is an unusual design, and fine quality work. The piece is in good state of preservation.'; accompanied by a museum quality impression and a pair of red stone beads. 7.98 mm, 24 mm



Private collection, London, UK. Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993.

Comprising a thin, extended neck developing into a largely unmarked face, represented only as a low-relief oval across its width; small arms folded into the chest emerging just beside two raised breasts; body curving inwards to suggest a feminine waist, before widening dramatically at the hips and buttocks; legs tapering gradually towards the base, with small marks delineating toes; mounted on a custom-made stand. 386 grams total, 23 cm including stand



Dr Werner Alder, Carona, Switzerland, acquired in the 1960s. Private collection M.R., Lugano, Switzerland. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by a thermoluminescence analysis report no.N126a11 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13015-246792.

The Amlash ceramics of Iron-Age Iran are named after a small modern town in the northern province of Gilan, just south of the Caspian Sea. Although the town is in close vicinity to Mesopotamia, the objects found there have a distinct local style, perhaps due to the natural boundaries of the Elburz and Zagros mountain ranges. The ceramic vessels and statuettes of both humans and animals from this region are by far the most important source we have on the Amlash culture of this period. Much of what has survived seems to have held spiritual or ritual functions, for example, votive idols and libation vessels. Human representations are generally found in burial sites and may therefore represent deities or specific individuals. These terracotta figurines, distinguished by their exaggerated, rounded hips and thighs, are believed to date from the late 2nd to early 1st millennium B.C. and are widely interpreted as fertility symbols or representations of a mother goddess.