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LOT 2051
Badictons Circus Original Advertising Poster
1920S A.D.
27 3/4 x 18 1/4 in. (22 grams, 70.5 x 46.5 cm).
Off-white ground with overprinted pierrot image, 'Badictons Circus' title; printer's logo bottom left 'Beigat Litho-Druck / Berlin-NeuKolln / Reuterstr.34' and reference 'No.109'. [No Reserve]
ProvenanceAcquired on the UK art market.
Property of a Harwich, UK, collector.
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AUCTIONS:
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Post Medieval Gold Tie Pin of Aquarius
19th century A.D.Sold for (Inc. bp): £338
Modelled in the round female figure holding an inverted amphora with liquid flowing forth; mounted on a sturdy gold pin. 2.97 grams, 45 mm
Private collection, Europe. Acquired on the English art market. -
Renaissance Agate Cameo of Two Owls in Gold Ring
Italy, 17th century A.D.Sold for (Inc. bp): £5,200
Comprising a D-section hoop expanding towards the open-backed setting set with a large brown agate intaglio modelled as two conjoined standing owls, the one at the front facing, and the other looking to the right, intricate feather and facial details, the cameo with a loss on the right-hand side, with the ring incorporating a fine gold repair. 12.74 grams, 24.90 mm overall, 17.00 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12)
Acquired on the European art market. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13318-257961.
Even in the Italian Renaissance, the owl, an ancient symbol of the goddess Athena, symbolised wisdom. The owl was also a symbol of the night and death, as is so eloquently illustrated in the 17th-century painting Vanité à la chouette in the Musée des Beaux-Arts de Dijon, which depicts an owl sitting on a human skull next to an extinguished candle. -
Post Medieval Portrait Cameo Collection
18th-19th century A.D.Sold for (Inc. bp): £390
Comprising: malachite cameo with a profile bust of a clean-shaven man wearing an ivy leaf wreath; a domed amethyst-coloured glass intaglio with a deeply engraved bust of a young maiden, inscribed 'C. BROWN F.T.' below; a domed glass intaglio with nimbate Jesus making a blessing gesture. 40 grams total, 29-36 mm
Acquired on the European art market.