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LOT 2117
Bactrian Style Carnelian Bead Necklace String
20TH CENTURY A.D.
18 3/4 in. (49 grams, 47.5 cm).
Composed of barley twist and melon beads with a large melon bead at the centre, restrung. [No Reserve]
ProvenanceAcquired in the 1990s-early 2000s.
Ex London, UK, collection.
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AUCTIONS:
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LOT 2117
Bactrian Style Carnelian Bead Necklace String
Estimate £50 - 70€58 - 81 (for guidance only)$68 - 95 (for guidance only)
Opening Bid
£5 (EUR 6; USD 7) +BP*
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Holy Roman Empire Gold Ring with Carnelian Signet Ring
Germany, 18th century A.D.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £750
Comprising a fluted band with openwork shoulders set with facetted rock crystals, rub-over setting engraved with floral motifs on the reverse and set with a red carnelian intaglio carved with the coat of arms of the owner; supplied with a museum-quality impression. 5.64 grams, 24.89 mm overall, 21.56 x 17.76 mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21)
Acquired on the European art market. -
Jazz, U.S.A. by Gerry Mulligan Original Advertising Poster
Circa 1962 A.D.Estimate: £80 - 100 (+bp*)
Opening Bid: £5
Off-white ground with black overprinted text and spot yellow block; 'Melody Maker' advertising poster; footnote 'Printed and issued by Odhams Press, Long Acre, London WC2'. 22 grams, 76.2 x 50.6 cm
30 x 20 in.
Acquired on the UK art market. Property of a Harwich, UK, collector.
Gerry Mulligan was an important 20th century composer, arranger, saxophonist and conductor, who played a leading role in the development of jazz and contemporary music. The poster advertises a serialised commentary on the contemporary music scene which appeared in 'Melody Maker'. The footnote reference is to the Odhams publishing venture which folded in 1968. -
Russian Bronze Travel Icon with the Three Hierachs of Orthodoxy
19th century A.D.Estimate: £80 - 100 (+bp*)
Opening Bid: £5
Depicting Saint Basil the Great, Saint Gregory the Theologian and Saint John Chrysostomus, all nimbate and holding their holy writings, under the vision of the Holy Mandylion; Saint Basil wearing a bishop's sakkos, the other two wearing the usual orthodox priest's garb, phelonia; all three wearing a brocade band, omophorion, with four crosses; inscriptions in Old Slavonic with the names of the Saints, on the Nimbus of Jesus, the letters 'O Ѡ N' (‘I AM’); names of the Saints in the background in Old Slavonic; framed by double moulding, the first decorated with crenellated elements, the second with arabesques. 270 grams, 11.5 cm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The icon is the so-called icon of the three hierarchs, Saint Gregory the Theologian (Gregory of Nazianzus), Saint Basil the Great (Basil of Caesarea) and Saint John Chrysostom, archbishop of Constantinople. All three were important fathers of the church who strove to clarify and crystallise Dogma, for the unity of the faith, of the Liturgy and the needs of philosophy and letters.
