Loading, please wait...
LOT 1347
Bactrian Bronze Scorpion Stamp Seal
2ND MILLENNIUM B.C.
1 in. (40 grams, 27 mm).
Comprising a domed body with a pierced handle, the underside with a stylised scorpion.
ProvenanceAcquired before the early 1970s.
With Bonhams, London, 26 October 2007, lot 417 [Part].
Ex London, UK, gallery.
Accompanied by copies of the relevant Bonhams catalogue pages.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 1347
Bactrian Bronze Scorpion Stamp Seal
Estimate £300 - 400€350 - 460 (for guidance only)$410 - 540 (for guidance only)
-
Western Asiatic Ceramic Bowl Depicting a Bird with Inscription
10th-12th century A.D.Sold for (Inc. bp): £208
With detailed depiction of a bird of elongated form on a dense field of flowing, intricate vegetal motifs with turquoise-coloured detailing; exterior ringed with a Kufic inscription, probably a blessing or prayer for the owner, written in a stylised script; heavily restored with overpainting. 569 grams, 20.5 cm
Acquired prior to 1998. Private collection, London. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Sultanabad region was renowned for its high-quality ceramics during the Seljuk period. While the precise translation of the legend is uncertain, such inscriptions were commonly used to invoke protection or good fortune, making the object not only a functional piece but also a meaningful, personal artifact. -
Akkadian Black Stone Cylinder Seal of the Sun God Shamash and Worshipping Parade
Circa 2334-2279 B.C.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Finely engraved with a religious scene, sun god Shamash seated on a throne with his feet resting on a padded stand, holding a scimitar in his raised left hand and wearing a horned headdress; four bearded deities and a smaller, clean-shaven young male worshipper before him, each of the deities wearing a horned headdress and a pleated garment; accompanied by a museum-quality impression. 49.1 grams, 40 mm
From the 'S' collection, acquired 1970-1990s. The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993. Accompanied by a copy of a report from Assyriologist Hui Li. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12539-231427. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The seal's excellent glyptic techniques, naturalistic depictions of the facial features, and the presented religious scene suggest that this seal might have belonged to a high official. -
Bactrian Bronze Stamp Seal of a Bird
2nd millennium B.C.Estimate: £200 - 300 (+bp*)
Opening Bid: £100
Openwork disc with segmented detailing, mounted in a wooden frame. 296 grams, 18 x 18 cm
Ex London, UK, gallery, 1971-early 2000s. London, UK, collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
