Bactrian Alabaster Chalice

Of a rounded profile with rounded base. 140 grams, 10.6 cm



Ex London, UK, collections, 1990s-2000s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

These kind of vessels, used found in the graves in the Luristan necropolises, were part of the gifts placed around and on the body.

Rectangular in plan with raised ends, standing female figure wearing a diadem modelled in the half-round. 76 grams, 12.6 cm



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with standing figures and animals, restrung pair of red stone beads, old handwritten label '1659'; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Black Stone, 40.5 x 19.5 mm. The deeply engraved design shows two warrior gods, standing, wearing short kilts with one hand raised the other holding an object the one holding a spear, the other an unidentified item represented by a vertical line. Before each standing warrior god is a sideways horned animal in one case and a sideways donkey in the other. There is a row of symbols along the top of the area: a circle with cross inside, an inverted crescent and dot, and a bull's head. There are horizontal rulings above and below the scene. This is a North Syrian or Anatolian seal c. 2000-1800 B.C. This is a rare type, and a nice example. The points on the top of the heads of the gods are no doubt spiked helmets, and the short kilt also fits the Anatolian storm god, which was worshipped in a variety of different forms. The style of engraving is deep but uncluttered and has a considerable charm.'; accompanied by a museum-quality impression. 30.8 grams, 40 mm



Armand Trampitsch, Glyptique Archéologie, Paris, Hôtel Drouot, 13-14 May 1992, no.23 [Part]. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in 1992. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.