Attic Pottery Collection

The ovoid body decorated with a combat scene, band of tendrils and leaves to the shoulder and vertical bands to the slender neck, trumpet-shaped mouth, strap handle and discoid foot; the scene comprising three Hoplites, the first in tall-crested Corinthian helmet, cuirass and greaves, xiphos hanging on his right side, thrusting with his long spear over his ellipsoid shield towards the middle figure, running forwards but with his helmetted head turned towards his attacker, using his Boeotian shield to ward off the blow while manoeuvring his own spear blocked by the third figure advancing against him, with spear held underarm, with birds in flight above. 481 grams, 26.5 cm



Private collection, Southern Germany, acquired in 1960s. with Paul-Francis Jacquier, Numismatique Antique, Münzen und Kunst der Antique, 13 September 2013. Acquired by the present owner at the above sale. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12189-222313. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The clothing and weapons of the hoplites are detailed copies of hoplites of late decades of 6th century B.C. The left warrior wears a Corinthian helmet with a high crest, a richly decorated robe and greaves. His round Attic shield, from which a richly pleated chlamys hangs down, is decorated with large circles. The middle and the right hoplite wear Corinthian helmets with a lower crest, and also beautifully decorated robes and greaves. They hold very large, Boeotian-shaped shields with striking bundles of lightning and 'flames'. As a beautiful counterpart to the left fighter, the right warrior carries a chlamys with long folds over his shoulder.

With flared mouth, wide neck, bulbous body and ring foot, painted in brown and red matte glaze; geometric pattern spread over several registers separated by bundles of encircling stripes, triangles with hatching inside them, neck with metopes containing swastikas, rosettes and rhombuses with a band of rhombuses beneath; the shoulder with five line friezes arranged one above the other; the body decorated with meander and a band of rhombuses and triangles with hatching below, a broad black stripe (in places reddish as a result of misfiring) to the lower part; transition to the ring foot and ring foot painted black; wide strap handle attached to the shoulder and painted on the outside with a wavy line framed by dots, edge stripes and three small stars, the connecting bar patterned with stripes; museum-quality restoration. 2.04 kg, 35.5 cm



Ex Madame P., Paris. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12460-228686. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Vessels of the Geometric Period (900-700 BCE) are easily recognisable by their abstract decorative designs, which had their origin in woven textiles and baskets. While early period pottery typically has sparse geometric motifs on a black background, the amount of the decoration increased progressively to the point that objects from the late Geometric period are often entirely covered - in this example, even the strap handle.

Broad and squat with thickened rim, central boss to the base. 536 grams, 24 cm wide



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.