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LOT 0086
Attic Black-Figure Neck-Amphora with Gorgon and Quadriga Attributed to the Swing Painter
CIRCA 550 B.C.
15 3/8 in. (3.25 kg, 39 cm high).
With inverted echinus lip and tall neck, a ribbed handle to each side with coiling lotus buds and palmettes beneath the handles; Side a) a running winged Gorgon depicted frontally, dressed in a black and red chiton; Side b) an aristocratic warrior wearing a Chalcidian helmet and driving a quadriga, the two central horses superimposed, the other two turned outward; a frieze of lotus buds and a band Greek key motifs below, the neck decorated with red and black palmettes, and elongated lotus blossoms; restored.
ProvenanceAcquired in Geneva in 1954.
Formerly in the Y. Forrer collection, Geneva, Switzerland.
Private collection, Switzerland, 1999.
with Gorny & Mosch, Munich, 20 June 2012, lot 73.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11798-206784.
Cf. for the Swing Painter Boardmann, J., Athenian Black Figure Vases, London, 1974, pp.63, ill.142-146, and especially fig.146, for a comparable; Beazley, J.D., Attic Black Figure Vase-Painters, New York, 1978, pp.304ff., 306, 40 (belly amphora housed in New York, Beazley Archive, no.301520); 308,80 (neck amphora housed in Louvre [F218bis]); Bohr, E., Der Schaukelmarer, Kerameus 4, Mainz-Rhein, 1982.
FootnotesThis wonderful vase can be attributed to the Swing Painter, active in Athens during the last part of the 6th century B.C. Beazley named him after the subject of a girl on a swing that he painted more than once. He was a pot painter, perhaps a pupil of the Princeton Painter. His black-figure paintings included a range of mythological subjects and some quite unusual images. A very large number of vases have been attributed to his hand on the basis of style. Characteristics of his painting in the mythological scenes, are the presence of hoplites, that give a very realistic rendering of the Greek Archaic warriors of mid-6th century B.C. (München, Staatliche Antikensammlungen 1385 [J 729] Beazley Archive Pottery Database 301590; Poseidon fighting the giant Polybotes, Louvre F226). An important artwork is the famous representation of the Tyrant Pysistratos and his Rabdophoroi (bodyguards armed with clubs, Athens National Archaeological Museum 15111, Beazley Archive Pottery Database 301523).
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LOT 0086
Attic Black-Figure Neck-Amphora with Gorgon and Quadriga Attributed to the Swing Painter
Estimate £50,000 - 70,000€58,000 - 81,200 (for guidance only)$67,500 - 94,500 (for guidance only)
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Greek Bronze Bow Fibula
8th-7th century B.C.Sold for (Inc. bp): £111
Arched bow with a central bulb and ribbed collar, integral pin and large catch-plate. 93 grams, 99 mm
From the family collection of a Surrey gentleman since before 1960.
The function of the catch-plate fibulae was utilitarian and decorative, they were used for woollen clothing (Herodotus V, 87) and they have been found in houses, tombs and as votive offerings in sanctuaries. Our fibula is an early type, very often found in the graves of the Greek colonies of Southern Italy and widespread in the Magna Graecia. This typology was introduced there by the Greeks. Like all female fibulae, it functioned as a clothing fastener, usually worn as a pair on each shoulder. -
Greek Bronze Handle with Human-Headed Ram
4th-3rd century B.C.Sold for (Inc. bp): £234
Featuring stylised horn and tufted coat detailing, the ram's face with humanesque features; curved profile. 22.2 grams, 39 mm
Collected from 1969-1999. From the collection of the late Mr S.M., London, UK. -
Greek Black-Glazed Pinecone Jug
5th-3rd century B.C.Sold for (Inc. bp): £1,040
With raised domes to the body, broad neck, everted rim, bifurcated handle, foot. 105 grams, 86 mm
Very fine condition.
Acquired European art market, 1980s-1990s. Private English collection.