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LOT 0092
Archaic Greek Terracotta Seated Goddess
5TH CENTURY B.C.
7 1/4 in. (413 grams, 18.5 cm).
Represented in the typical female attire wearing a long chiton and a polos headgear; seated upon a throne with side horns, hands upon her knees; flat back.
ProvenanceAcquired in Europe before 1996.
LiteratureCf. Biers, W.R., The Archaeology of Greece, An Introduction, Ithaca-London, 1987, fig.8.63, p.263, for similar.
FootnotesThe typical 5th century B.C. terracotta female figurine was a standing or seated woman wearing a chiton and a himation. It usually represented the goddess Demeter, and it was a votive figure offered to the shrines or temples. Attica was one of the principal centres of figurine production, but Corinth continued to produce solid standing or seated females with moulded fronts and flat backs.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Attic Red-Figure Fragment Attributed to the Thaliarchos Painter
5th century B.C.Sold for (Inc. bp): £702
Comprising the bottom part of a cup-skyphos or pyxis, decorated with concentric circles in red and black, the internal part painted with the image of a young athlete, wrapped in a short chlamys and leaning upon his staff, the ground represented as a concave space. 95 grams, 12.5 cm
Acquired in Europe before 1990. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11810-206516.
The everyday life of ancient Greeks is well represented on the Attic red figure paintings. The short cloak (chlamys) is the favourite garment for the men and the hair of the younger men is more often shown cropped than in the black Attic figure paintings. The nakedness of youths exercising at the palaistra could well have been an important source of inspiration for the Greek artists who were becoming increasingly aware of the possibilities to represent the physiology of subtle movement in paintings. The Thaliarchos painter is generally recognised as the artist of the tops of some powder-box pyxides, although it is not excluded that he was actively painting various types of vessels. The type of ground and the way in which the foot of the man is worked can support the thesis that the fragment is from his workshop. -
Greek Gold Earring Pair with Lion Heads
4th-3rd century B.C.Estimate: £1,000 - 1,400 (‡+bp*)
Opening Bid: £500
Each with a decoratively twisted ear hook and lion head terminal with ornamental collar adorned with filigree spirals and granule clusters; non-identical. 3.05 grams total, 15-21 mm
Acquired between 1950-1970s. Ex Swiss private collection. -
Greek Black-Glazed Pinecone Jug
5th-3rd century B.C.Sold for (Inc. bp): £1,040
With raised domes to the body, broad neck, everted rim, bifurcated handle, foot. 105 grams, 86 mm
Very fine condition.
Acquired European art market, 1980s-1990s. Private English collection.
