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_900x900.jpg "Antique Gold Ring with Agate Cameo of an African")
_200x200.jpg "Antique Gold Ring with Agate Cameo of an African")
_900x900.jpg "Antique Gold Ring with Agate Cameo of an African")
_200x200.jpg "Antique Gold Ring with Agate Cameo of an African")
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LOT 0347
Antique Gold Ring with Agate Cameo of an African
LATE 17TH CENTURY A.D.
1 in. (4.69 grams, 27.33 mm overall, 18.81 mm internal diameter (approximate size British Q 1/2, USA 8 1/2, Europe 18.12, Japan 17)).
D-section hoop and an oval bezel set with a grey banded agate cameo featuring a mature man in three-quarter view facing left, furrowed brow and short-cropped curly hair.
ProvenanceAcquired on the European art market.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0347
Antique Gold Ring with Agate Cameo of an African
Estimate £1,500 - 2,000€1,740 - 2,320 (for guidance only)$2,030 - 2,700 (for guidance only)
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Archaic Chinese Style Bronze Jar
20th century A.D.Sold for (Inc. bp): £182
Bulbous body with a flaring foot and a funicular neck, two articulated loop handles on the shoulder with dragon-mask attachments. 2.43 kg, 29.3 cm high
Ex Hong Kong gentleman's collection. -
Italia. Siena (Republic) AR Grosso Set into a Later Silver Brooch.
Before 1250.Sold for (Inc. bp): £221
[✠ SENAVETVS, large S flanked by four pellets] / ✠ ALFA ET CIƆ, cross pattée. CNI 26; Biaggi 2536. 6.83 grams, 61 mm.
Condition as seen. Set in a later bar brooch with bulbous finials and a hinged pin.
Acquired on the European art market. -
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Renaissance Gold Fob Seal with Carnelian Gemstone of a Herm and Figures
16th-19th century A.D.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
An oval intaglio finely engraved with a classical scene, at the centre a herm upon a plinth, flanked by two figures: the woman on the left wearing a gown with loose drapery falling across her arms, while the figure to the right is shown nude, the body scarcely veiled by a fine transparent cloth; at the far right a sacrificial altar surmounted by a lyre, introducing a musical or poetic dimension to the scene and emphasising its votive character; mounted in an ornate 18th-century French gold fob mount, pierced with scrolling foliate ornament and stamped with duty marks; supplied with a museum-quality impression. 6.60 grams, 25 mm
Acquired on the European art market.
The gem, cut in the 16th century, reflects the Renaissance revival of antique glyptic art, where Roman prototypes were carefully studied and reinterpreted with elegance and precision. The finely executed incision and harmonious arrangement of clothed and unclothed figures highlight the engraver’s technical mastery and antiquarian erudition.
