Animal Thimble Group

A group of nesting weights, stamped in descending order with '8 TROY OZ' to the rim and two stamps with 1826 above a portcullis to the inside base, '4 OZ' and similar stamps to the inside base, '2 OZ' and similar stamps to the inside base, '1 OZ' with two portcullis stamps to inside base, no date above. 468 grams, 57 mm



Ex private collection, 1970s. Property of a Nottinghamshire gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Pair of stained glass window panels comprising: a kneeling female figure in a blue robe in a landscape, within an arch with heraldic supporters on the capitals; with heater shield lower right with mask on a barry field; a kneeling bearded male in a landscape within a lancet arch with heater shield lower left, running goat in fess beneath a mullet; both from the circle of Hans Funk, each supplied with frame including integral backlight, 12V DC transformer and three-pin plug. 16.5 kg total, 59 x 43 cm including frame



Kept in a private collection for several decades, Zurich, Switzerland. with Schuler Auktionen, 24 March 2021, no.529. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12551-230650. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Depicting nimbate Mary Theotokos with veiled head and wearing a red maphorion mantle over a dark blue robe with gold cuffs, inclined towards the infant Jesus supported by her left hand, wearing a bright red mantle and a blue tunic highlighted with gold, his left arm holding a roll and the right hand in a gesture of blessing; white field, tempera on wood, Smolenskaya type. 1.12 kg, 32 x 26 cm



Acquired from Portobello Road, London, circa 2000. Property of a London, UK, gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The model for the icon, painted in 16th century style, is the one of the Mother of God of Smolensk, associated with the Byzantine icon of the Hodegetria ('She who shows the ways). According to the legend, the icon of Smolensk received the name after healing two blind men. The original icon of Smolensk was a gift of the Roman Emperor Constantine Monomachus to her daughter Anna when she married the Russian Prince Vsevolod. Later Anna presented the icon to his son Vladimir who put it in the Vladimir Cathedral.