Anglo-Scandinavian Viking Bronze Stirrup Apex Mount

Comprising: four cruciform mounts, each domed with reserved silver niello-filled interlaced cross on a billeted parcel-gilt field, mounting hole to each end, some with studs; T-shaped mount with reserved loops and bars on a billeted parcel-gilt field, loops above the vertical shank and fixing pin to angle; similar mount with ferrous remains to the hinge. 74 grams total, 41-49 mm



European art market. Acquired in Münich in 2012. European private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12289-222348. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Annular in form, D-shaped in section with three inward-facing bear-masks, sturdy pin with loop finial on the shank. 16.7 grams, 88 mm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In Romanesque style, cruciform with openwork cross at centre, three oval terminals and a fourth modelled as a hound's head, the beast's mouth forming the suspension loop. 7.88 grams, 40 mm



Acquired on the UK art market. Property of an East Anglian private collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The original function of this rare and unusual pendant remains elusive. The use of expensive materials and the fine and detailed casting indicate that it would have been a highly prized object. The fusion of Christian and pagan religious motifs is typical of Iceland where the worship of the old gods continued into the 11th century. The Christian cross was used as a symbol of the new faith but the pendant also includes elements of pre-Christian motifs. Comparable objects appeared in an exhibition of English Romanesque Art 1066-1200, held at the Hayward Gallery, London, 5 April - 8 July 1984. The catalogue for this exhibition illustrates numerous small metal and gilded articles with similar grotesque terminals- No. 254 illustrated a late 12th century finial from a shrine, which is in the Victoria and Albert Museum (M.25 1962).