Anglo-Scandinavian Bronze Seax War Knife Pommel Cap with Interlaced Panels

With stylised hammer motif and three surrounding brackets to accept straps. 16.4 grams, 43 mm



From the collection of a North American gentleman, formed in the 1990s.

With four raised arms and central knop to the upper face, all with punched ring-and-dot detailing; the outer sidewall with four panels of knotwork, dividing vertical stems with ring-and-dot motif, each with a D-shaped protrusion; the upper face with dense zoomorphic ornament; pin and separate catchplate to the underside with central hole, five studs retaining it to the upper. 71.6 grams total, 45 mm

Fine condition, pin intact, backplate slightly cracked.

UK gallery, acquired in the 2000s. Property of an English gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11406-192532.

The type is known as a 'drum' brooch or 'box' brooch. They were apparently manufactured on the island of Gotland and all known examples probably have their origin there. Over time, the refinement of the earlier types (such as the present example) is superseded by cruder decoration consisting of dimples or simple dots.

Openwork plate brooch or mount with two pierced lugs to the reverse depicting a rider and standing figure; the horse and figures shown in profile; the rider wearing baggy trousers and a cloak or mantle, a spear carried beneath his leg, his hair worn long and knotted at the rear; the standing figure wearing a floor-length robe and holing a shield; square panel beneath the horse with a grid of nine squares. 6.3 grams, 34 mm



Found near Great Massingham, Norfolk, UK, circa 2010.

The scene depicted on the mount or brooch is often assumed to represent an armed warrior on horseback and a Valkyrie holding a shield. However, the rider's long and looped hairstyle may be typical of females of the period, and the standing figure often appears to be wearing a helmet. In a detailed discussion by Gardeła, Pentz and Price (2022), the standard interpretation is challenged since we do not know whether the scene shows humans or deities, nor whether the rider and attendant might be interpreted as an armed female being welcomed into Freyja's home of Folkvangr. Does the grid beneath the horse imply that there is a gaming-board available to the rider, a typical item of hall-based enjoyment alongside the horn which symbolises beer or mead? Or does this actually show a saddle-cloth, a prosaic piece of riding equipment?