Anglo-Saxon Pottery Sherd Group

Irregular fragment from a bronze casket mount formed with four discoid panels each filled with dense regularly-displayed foliage and tendrils with lobe finials; central pierced disc with triquetra motifs in the spandrels; accompanied by a custom-made display stand. 13.1 grams, 44 mm (50.4 grams total, 71 mm high including stand)



Found Saxmundham, Suffolk, in the 1980s. From the collection of Dirk Kennis, Belgium.

Details of the decoration recall later 8th century items, such as the lobed tendrils and triquetra motifs on the Franks Casket; the regular disposition of elements recalls a shrine mount from Peterborough (Hammond, 1.12-d) and disc-headed pins (Hammond, 1.10-g, h). Recorded, studied, and determined by the Secretary of State’s Expert Adviser as an object of cultural interest. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) considered an application to export this object. The Committee concluded that the object satisfied the third Waverley criterion and is therefore currently not exportable.

Marzinzik's Type I.6 rectangular loop with thick edges, recessed bar, leaf-shaped garnet to each angle, punched detailing to the carinated ridge. 8.38 grams, 33.8 mm



Found while searching with a metal detector near Micheldever, near Winchester, Hampshire, UK, on Sunday 17th March 2013. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.HAMP-A0905A.

Examples are found in southern and eastern England and date broadly from the sixth century (Marzinzik, 2003, 24-5, pl.16).

Comprising: trapezoidal headplate with beast-head spurs to the upper angles and concentric panels of Style I ornament; shallow bow with central cell and garnet insert; long footplate with lateral lappets and central lozenge; facing mask above a trapezoidal bar finial; pin-lugs and catch to the reverse. 82 grams, 11.5 cm



Found U.K. British private collection, acquired by 2000.

The meaning of the 'facing mask' motif is probably related to the profile masks so frequently used in Style I art, where the 'pellet' eye is enclosed by an arched frame: the 'facing mask' repeats this motif to produce a pair of eyes in a doubled 'bow'. An element of visual 'riddling' is no doubt present: the design is neither one thing nor the other, but includes elements of both. Distribution of great square-headed brooches was initially concentrated along the valleys of the Rivers Trent, Thames and Severn, though it was later confined to the East Midlands and East Anglia (Hines, 1997, figs. 101, 102).