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LOT 2075
Anastasia Avante-Garde Fashion Portrait Editorial Proof by Inez van Lamsweerde & Vinoodh Matadin
DATED 11 MAY 2003 A.D.
14 x 11 in. (174 grams, 35.5 x 28 cm including frame).
Framed with a white card reveal, colour image of a young woman with digitally-added eye-mask; with collector's slip stating (inter alia) 'Archive Date: 11/05/03' and 'Historical Significance: Originally captured in 1994 for a groundbreaking 10-page editorial in The Face magazine, "Anastasia" is a museum-grade artwork celebrated as the very first instance of digital manipulation (Photoshop compositing) in fashion history. Large-scale gallery prints of this work are held in elite collections worldwide (including the Sir Elton John collection). This May 2003 proof tracks its syndication in Spain for a major visual arts or digital photography retrospective.' [No Reserve]
ProvenanceAcquired on the USA art market.
Property of a Harwich, UK, collector.
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LOT 2075
Anastasia Avante-Garde Fashion Portrait Editorial Proof by Inez van Lamsweerde & Vinoodh Matadin
Sold for (Inc. bp): £585
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Romano-Egyptian Style Fayum Portrait of a Woman
20th century A.D.Sold for (Inc. bp): £26
Portrait of a young woman, her head turned slightly to the right, with an oval face, thin almond-shaped eyes, and a large mouth with full lips; her curly hair arranged above her forehead in a series of rich curls; her clothing consisting of a pink tunic visible at the neck and shoulders; encaustic on wood. 1.73 kg total, 47 x 33.8 cm including frame
Condition In good condition, the painted board has been mounted on to a piece of wood in recent history. The surface has a dirt overlay that is expected with age. Minor losses, affecting the top edge and and left proper edge. Minor losses throughout and one vertical crack runs the length of the wood grain.
Private collection of Dr Fred Olsen (1891-1986) and Mrs Florence Ellen Olsen (née Quittenton, d.1996), Guilford, Connecticut, by at least 1961. Exhibited at 'Coptic Art', The Minneapolis Institute of Art, Minneapolis, Minnesota, 5 December 1961-7 January 1962, no.L-380-2, loan number L61.711.
Fayum portraits, painted on wood or linen, applied to the mummies of the Graeco-Roman period, are one of the most wonderful legacies that the koiné of the Graeco-Roman world has left us. Due to the favourable climate enhancing the state of preservation, these encaustic paintings have left us an almost photographic testimony of the faces of the inhabitants of Roman Egypt. -
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German Silver-Gilt and Enamelled Figure of a Sailor
17th century A.D.Estimate: £700 - 900 (+bp*)
Opening Bid: £350
The mariner modelled in a lively stance, holding a coiled rope in both hands, which falls in a naturalistic spiral at his feet, wearing a brimmed and gilt-edged cap, a red enamelled doublet with chased detail, and voluminous green enamelled trunk-hose, his boots and gloves parcel-gilt. 31.62 grams, 54 mm
Acquired on the European art market. -
Amlash Style Terracotta Bull Rhyton
20th century A.D.Sold for (Inc. bp): £3,900
Formed as a standing bull with exaggerated neckhump, four stub legs and long curving horns, U-shaped muzzle forming the spout. 1.37 kg, 36.5 cm wide
Private collection of Dr Alvin M. Soffe (c.1922–1995) and Elizabeth Ann Soffe, Bryn Mawr, Pennsylvania, acquired circa 1960s–1970s; thence by descent. Accompanied by a copy of a letter no.S00256670 from the Art Loss Register confirming that this item was not found on their database.
