Amorite Terracotta Saddled Animal

Paper leaf with hand-painted scene depicting a torture scene: two outer bearded figures wearing turbans and ankle-length robes holding the handles of a frame with spikes; third similar figure kneeling in the middle grasping fourth figure, suspended naked and attached by ropes round his chest and thighs to the frame; blocks of explanatory text in red and black within the scene and outside; edges of leaf chipped; mounted in a glazed wooden frame. 1.06 kg, 45.5 x 35.5 cm



Private collection, UK.

Representing an exquisite bull figure standing with his head turned dramatically to the left, depicted with large curled horns and inlaid white stone eyes, formed from thin hammered silver sheet in repoussé, depicting the bull as a hollow pendant, with the interior filled with natural bitumen; traces of an original suspension loop on the shoulder. 54.5 grams, 70 mm wide



with Mahboubian Gallery, New York, acquired prior to 1969. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13140-249434.

Objects of this type are understood to be ritual or votive pendants, produced not for everyday wear but primarily for dedication in temple contexts. Bulls, goats, rams and other herd animals with horns were thematically abundant in the Ancient Near East, especially around the Iranian plateau circumscribed by the Zagros and Elbruz Mountains and multiple deserts. There are representations of bulls as pendants or votive statuettes (Mahboubian,1997, pp.59, 213, 224, 225, 225, 235, 240), vessel stands (Mahboubian, 1997, pp.40-41), vessel protomes and rhytons from Mesopotamia to Caucasus.

With animals and figures; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Hematite. 24 x 10 mm. The design is based on the principle of symetry. In the centre are two reared-up composite animals: bodies of quadrupeds, but wings and heads of birds. Beneath them is a human figure on one knee, nude save for belt around the waist, holding out both hands, each hand over a bird. To either side of this group is a standing man, in short kilt, the one on the right holding one hand at the waist, holding down the other. The one on the left is raising one hand but holding down the other. Above the scene is a vulture with wings spread, and to each side of it a scorpion above a 'flying saucer'. A geometrical figure (two triangles with points meeting) alone straddles the division of the scene. This is a Mitanni seal, c. 1500-1200 B.C., from any part of the area from the eastern Mediterranean to Kurdistan. It is an unusual design, and fine quality work. The piece is in good state of preservation.'; accompanied by a museum quality impression and a pair of red stone beads. 7.98 mm, 24 mm



Private collection, London, UK. Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993.