Amlash Zoomorphic Terracotta Pouring Vessel

Representing a god in short mantle and round cap with upturned brim, holding a mace in his left hand, before him a goddess standing in a horned crown and kaunakes, her hands raised in supplication; accompanied by a museum-quality impression. 8.96 grams, 27 mm



Ex Mr J.K. collection, USA. Acquired from the above, 1997. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12581-232131.

The seals of the First Isin Dynasty were much more varied than those just preceding the Third Dynasty of Ur. Often the chief god - probably Shamash - is standing, and the 'introducing' goddess is facing him, while the worshipper is not pictured. The seals are a mine for the understanding of the old Babylonian costume. The tunic of the female goddess here is made of tufted material that the Greeks called kaunakes, the weave of which imitated the effect of the earlier sheepskin costumes.

Mixed group of items and fragments, including an arrowhead, a blade fragment, and other items. 176 grams total, 3.8-18.1 cm



Acquiredon the London, UK, art market, 1990s onwards.

One of the largest known examples, comprising a thin-walled body and flaring foot, a separately made long spout rivetted to the body; the U-shaped spout resembling the beak of a bird with stylised linear feather detailing to the gracefully curving neck, eleven domed rivets to the edges; the base of the foot with concentric circle decoration. 735 grams, 46 cm



Believed to have been acquired in the 1960s-1970s. From the collection of Mr Jay Gluck (1927–2000) and Mrs Sumi Hiramoto Gluck. Malter Galleries Inc., Auction 80, The Gluck Collection of Ancient Art, 7 April 2002, no.54. Alexander Ancient Art, Netherlands. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13314-257665.

Jay Gluck (1927–2000) was an American author, art historian, and orientalist who spent much of his life in Japan and the wider Asia-Pacific region. A passionate collector and scholar of Asian art and culture, he is perhaps best known for his landmark publication Japan Inside Out (1964), and later A Survey of Persian Handicrafts (1977), co-authored with his wife Sumi Hiramoto Gluck, a Japanese-born artist and cultural collaborator who shared his deep engagement with Eastern art traditions. Together, the Glucks assembled a distinguished collection reflecting their combined expertise and decades of firsthand engagement with the arts of Asia and the ancient world. Items from their collection are held with great regard for the couple's scholarly rigour and the depth of provenance they represent.