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LOT 1079
Amlash Type Bronze Spearhead
13TH-12TH CENTURY B.C.
16 in. (411 grams, 40.5 cm).
Showing a long tapering blade with rounded shoulders and prominent mid-rib, the tang straight and rectangular in section.
ProvenanceAcquired 1980-2015.
Ex Abelita family collection.
Cf. Khorasani, M.M., Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006, s.cat 280, for type; Christies, Axel Guttmann Collection of Ancient Arms and Armour, Part 2, London, South Kensington, 28th April 2004, lot 40.
FootnotesThe weapon belongs to the type 1 of the Khorasani spearhead classification, mainly from the Marlik or Amlash areas. Similar pieces have been dated by Stutzinger to 1200-1100 B.C., but the period of use is attested to at least until 1000 B.C.
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AUCTIONS:
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Viking Age and Later Axehead Group
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Opening Bid: £50
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Acquired 1990s-early 2000s. East Anglian private collection. -
Roman Bronze Armour Segments
2nd-4th century A.D.Sold for (Inc. bp): £468
Comprising four interlocking tongue-shaped segments from a lorica squamata; each with double piercing on the top and the two side edges. 4.4 grams, 45 mm
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Byzantine Iron Horse Bit
14th-15th century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £83
Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm
Fine condition.
Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.
This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of the 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.