Amlash Pottery Jug with Zoomorphic Handle

Representing an exquisite bull figure standing with his head turned dramatically to the left, depicted with large curled horns and inlaid white stone eyes, formed from thin hammered silver sheet in repoussé, depicting the bull as a hollow pendant, with the interior filled with natural bitumen; traces of an original suspension loop on the shoulder. 54.5 grams, 70 mm wide



with Mahboubian Gallery, New York, acquired prior to 1969. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13140-249434.

Objects of this type are understood to be ritual or votive pendants, produced not for everyday wear but primarily for dedication in temple contexts. Bulls, goats, rams and other herd animals with horns were thematically abundant in the Ancient Near East, especially around the Iranian plateau circumscribed by the Zagros and Elbruz Mountains and multiple deserts. There are representations of bulls as pendants or votive statuettes (Mahboubian,1997, pp.59, 213, 224, 225, 225, 235, 240), vessel stands (Mahboubian, 1997, pp.40-41), vessel protomes and rhytons from Mesopotamia to Caucasus.

With a broad squat body with carination and a flat rim to the mouth; basal ring. 396 grams, 11.6 cm wide



Ex London, UK, collection, 1988-1990s.

With standing figures and animals, accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Hematite, 21.5 x 11 mm. The design is made up of two parts. The main scene shows two facing deities. On the left stand the Storm God, Hadad or Teshup, wearing a short kilt and a spiked helmet. A long plait of hair falls down his back. In his raised right hand he holds a mace, in the left a long spear and a bow(?). On the right stands a goddess, nude, having thrown back her cloke, and standing above a bull. This goddess is either Anat or Ashtart, goddess or fertility. There are four fillers in the main scene, two discs, a human hand and an unidentified item. The minor scene consists of a row of three walking humans, the first with one hand raised, below two facing birds. The whole engraing is set between lines, one above one below. This seal in Syrian, c. 1800-1700 B.C. and is a typical example of the interest which the Syrian engravers put into their seals. It is somewhat worn, but the whole of the design is clear, having been cut deeply in the original stone.'; accompanied by a museum quality impression and pair of red stone beads. 6.58 grams, 21 mm



Anonymous French sale. Private collection, London, UK. Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993.