Amlash Bronze Figure

Columnar in profile and pierced laterally, incuse scene of two standing figures facing each other with a smaller figure, bird (?) and sun with crescent moon between them; a second pair of figures facing each other, one of them worn. 12.3 grams, 25 mm



Ex Constable collection, 1990s. Ex P. Morris collection. Accompanied by four old photographs, one dated 'Bromley 1995'.

Formed from a single sheet, the ovoid base carinated with plain upper portion, slightly flared lip to the rim. 95 grams, 10.4 cm



Acquired from a private UK collection prior to 1979. Ex Julian Sherrier collection, a leading figure in Gandharan art. with Christie's, New York, sale 2337, 14th September 2010, no.56A (part). Accompanied by the original Christie's lot ticket. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12961-244455.

The taste for beautifully decorated cups and drinking vessels was a hallmark of the later Seleucid Empire and early Arsacid Dynasty. Various beakers and cups were used by the Parthians according to the style of the Hellenized East.

With animals and figures; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Hematite. 24 x 10 mm. The design is based on the principle of symetry. In the centre are two reared-up composite animals: bodies of quadrupeds, but wings and heads of birds. Beneath them is a human figure on one knee, nude save for belt around the waist, holding out both hands, each hand over a bird. To either side of this group is a standing man, in short kilt, the one on the right holding one hand at the waist, holding down the other. The one on the left is raising one hand but holding down the other. Above the scene is a vulture with wings spread, and to each side of it a scorpion above a 'flying saucer'. A geometrical figure (two triangles with points meeting) alone straddles the division of the scene. This is a Mitanni seal, c. 1500-1200 B.C., from any part of the area from the eastern Mediterranean to Kurdistan. It is an unusual design, and fine quality work. The piece is in good state of preservation.'; accompanied by a museum quality impression and a pair of red stone beads. 7.98 mm, 24 mm



Private collection, London, UK. Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993.