Amethyst Bead Necklace

A pair of naturalistically modelled cherubs shown naked and chubby with infant bodies and mature heads, perched with one crossed leg atop grotesque heads- that of the Devil and a pug, each dynamically posed as though playing an instrument or holding a bowl; with polychrome paint and gilding; Baroque; on octagonal plinth bases. 74-76 cm high



with Hotel Des Ventes De Monte, Monaco, 14 December 2021, lot 60. English private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11676-199839.

A Greek style marble archaic kouros statue carved with braided hair held by a diadem, arms held straight at the sides, legs in advancing pose. 16.5 kg, 71 cm high



French collection, 1960s-early 2000s. From an important Paris gallery, France.

The kouros (free-standing nude male youth) first appeared in ancient Greece in the Archaic Greek period; kouros figures have been found across the Greek-speaking world, concentrated mainly in sanctuaries of Apollo. The term means ‘male youth, particularly one of noble rank’; when a pubescent boy came of age in ancient Greece, he was known as a kouros, at which point he could participate in the initiation feast of the brotherhood. The god Apollo was known as the greatest kouros. Typically life-sized, these figures were produced in marble, but have also been found in limestone, wood, bronze and terracotta. The female counterpart is the kore.

An icon of Hodegetria with the Virgin wearing a red maphorion embroidered with gold, a dark veil and a dark chiton with double gold embroidery on the cuffs; holding the Child on her left arm and gesturing towards him with the right hand; the Child wearing a yellow brown, gold-woven chiton, holding a scroll in his left hand, while the right one is making the gesture of blessing; the angels Michael and Gabriel to the left and right of the Virgin; on each side of the head of the Virgin inscriptions 'ΜΡ' and 'ΘΥ' (Μήτηρ (τοῦ) Θεοῦ = Mother of God), inscription in Greek letters 'IC XC' (IHCOYC XPICTOC = Jesus Christ) above the child, three letters inside the nimbus of Christ representing the continuous divine self-existence of Christ as God ('O ѾN' = The Only One who always exists); the names of the angles inscribed next to each figure (Aghios Michail and Aghios Gavriil). 869 grams, 29.8 x 24 cm



Property of a London lady, part of her family's collection.

The painting is a copy of the famous replica of the Hodegetria of Constantinople, a Byzantine icon of 14th century, repainted by the icon painter Dionisi in 1482, and today preserved in State Tretyakov Gallery, Moscow. The original icon was destroyed by the Turks at the capture of Constantinople in 1453. The replica was venerated as an 'original' real Hodegetria in the Ascension Convent in Kremlin, Moscow. The icon led the liturgical processions on June 23, August 26, May 21 and October 22 in which the Patriarchs and the Russian Tsars took part.