Ancient Art, Antiquities, Books, Natural History, Stamps & Coins

Double-edged Petersen Type S sword with a gently tapering long blade, the rounded point well preserved; the well-defined cutting edges show strong traces of employment with battle-nicks along the entire length; straight blade with a slender tang; the shallow tapering fullers visible showing shallow traces of pattern-welding; the boat-shaped guard with rounded ends and applied Ringerike Style ornament; short grip, the upper guard curved upwards and separated from the three-lobe pommel by inlaid silver wire; possibly later inlaid silver bands marking the separation between the lobes 985 grams, 91.3 cm



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13443-262858.

Double-edged cutting sword of Petersen's Type K, with parallel-sided blade, shallow fullers showing some traces of pattern-welded construction and a possible inscription (+VLFBERHT+?) on both sides, short rectangular-section tang, boat-shaped lower guard with silver ring-chain ornament to the upper face; five-lobed pommel with remains of silver-sheet ornament to lower edge. 770 grams, 69.2 cm long



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13433-261728.

This blade of 9th or 10th century A.D. is most beautifully shaped bearing a possible ‘VLFBERHT’ inscription, with the iron inlay of pattern-welded form. The elements of the hilt are inlaid in silver. Petersen regarded his type K with its characteristic five (rarely seven) lobed pommel as being native by Frankish lands by the Rhine, and speculated that the type came to Norway in the first half of 9th century as a result of Viking raids.

Single-edged iron blade attached to the hexagonal baluster in high-tin bronze; triple band forming a collar at the transition to the figural butt formed as a pecking raptor with long claws sitting on a stylised tree; annular punched eyes and pellets on the wings and the interior of the tree; mounted on a custom-made stand. 155 grams total, knife: 17 cm, 17.9 cm wide including stand



Ex W.L., USA, early 1990s. with Artemis Gallery, 26 September 2016, USA. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13528-263112.

Objects created in the West Siberian animal style served as ornamentation, offered protection against evil forces, and brought good fortune, while simultaneously signalling the high status of their owners. The West Siberian animal style represents a vivid artistic chapter in the history of the peoples of Western Siberia. Today, it is recognised—alongside the well-known ‘Scytho-Siberian’ and ‘Permian’ animal styles—as a distinct cultural phenomenon.

A butted short-sleeved chainmail shirt made of thick oval rings assembled in the usual system of one-to-four; in an excellent state of preservation, with over 95% of the rings intact, very few broken or corroded, with no later additions. 9.93 kg, 87 x 56 cm



Acquired on the German art market before 2000. Private collection, South Germany. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13066-249665.

In the German-manufactured ring mail armours, in the 15th century A.D., the rings protecting the breast were very thick, whereas the sleeved mail armours were thinner. Master armourers from Nuremberg were famous for this production across Europe.

Wrist and the upper hand section from an armoured gauntlet, with flared cuff and ropework detailing to the rim, vertical fluting to the cannon and two attached articulated plates; cannon hinged at one edge and with sliding catch to the other; marked '1.32'. 180 grams, 12 cm



Acquired on the UK art market. From a gentleman's collection in East Sussex, UK.

This armour part was destined to protect the hand and the wrist. The 'mitten gauntlet' consisted of a longer, narrow conical cuff tapering to the wrist and cut at the top to form a point. By the beginning of the 15th century, the 'mitten gauntlet' had become popular and was to remain so for the rest of the century and into the first half of the 16th century, especially in German-dominated areas of Europe.

Comprising: a curved panel with a rolled rim, horizontal carinated bands and median bowed band with diagonal slash detailing, fluted lower edge with holes for articulating rivets; group of three plates with vertical fluting, with sliding rivets providing articulation; with matching '1.306' reference numbers. 424 grams total, 22.3-24.5 cm



Acquired on the UK art market. From a gentleman's collection from East Sussex, UK.

The matched reference numbers could indicate that the pieces came from the same harness. One piece appears to be a piece of a tasset – a thigh defence. The embossed band is imitating the fashionable ‘puffed and slashed’ textile garments seen on 16th-century armour. Sixteenth-century armour often imitated textile fashions in their form and decorative elements. The second piece may be a tasset. The incised lines for the fluting on the exterior surface appear to be of more mechanical manufacture, as do the slot for the sliding rivet and the empty rivet hole on one side.