Ancient Art, Antiquities, Books, Natural History, Stamps & Coins

With yellow patina and some polished areas, a ceremonial blade of exceptional length, fashioned from high-quality chert with controlled percussion flaking and well-balanced symmetry. 193 grams, 26.3 cm



Acquired in 1977 by the archaeologist owner from a private collection in Ohio, USA.

Blades of this size exceed functional hunting requirements and belong to the class of oversized ritual pieces placed in high-status Adena mound burials. This spearpoint is a rare and impressive example of Early Woodland craftsmanship.

A finely made and complete early fine Senonian or Danian flint dagger belonging to the Danish Single Grave Culture (Dolktid), a slender lanceolate outline with near-parallel sides, a discreetly indicated hafting zone, and the maximum width placed at or just ahead of the midsection. 66 grams, 18.3 cm



Found Ordrup, Sjaelland Island, Denmark, 1970. From the private collection of amateur archaeologist Jorgen Faxholm, UK. Accompanied by a copy of a previous catalogue sheet with reference.

This dagger shows the characteristic manufacturing traits of the earliest dagger horizon. There is no polishing or parallel-struck flaking of the later, more elaborate types. The maker relied on careful, even marginal retouch to create a sharp and functional cutting edge. The dagger appears to retain its original proportions with no evidence of later reworking or reduction. By the time Lomborg formalised the typology, approximately 540 examples of Type 1B were recorded from graves or intentional depositions, with a further circa 150 from unprovenanced contexts. This example sits squarely within that early corpus and represents the form at its best.

Lentoid body with finely knapped edges, inked collector's note 'Suffolk. 86' to one side; very rare. 67 grams, 13.7 cm



Found Suffolk, UK, 1986(?). From the collection of Martin Doyle, Leverstock, UK, 1980s-2000s.

Piriform in plan and lentoid in section with narrow point; two natural cavities with cortex, one passing through the depth of the stone; old inked legends 'Tumuli Pit', '15', Heath B 1 / O'Morell Col' and to reverse '1807'. 540 grams, 19.6 cm



Found during the original official excavations in the Farnham area, Surrey, UK, which were conducted by Harold Faulker (1875-1963), and William Francis Rankine (c.1877-1962), who were instrumental with the excavation works and pit dwellings at sites including Six Bells, Frensham, Tilford, Thursley and Bagshot, and Waverley, amongst others at and near Farnham in the 1930s and 1940s. Much of the material is now in the prestigious Farnham museum. The present part of the collection having been gifted to their good friend and Haselmere Parish Priest, Charles Borelli (c.1914-2000) of Farnham; who was part of the Borelli family from Italy who emigrated from Lake Como in 1828 to set up the Borelli family watch and jewellery business; thence by family descent to his nephew.

Farnham district is one of the most interesting prehistoric regions in England, and has been visited by a succession of prehistoric peoples from Palaeolithic times onwards. Along the southern slope of the Farnham valley are three gravel terraces, which are famous prehistorically and have yielded large quantities of flint implements and bones of prehistoric animals, notably the mammoth. In prehistoric times, the chalk deposits played an important role in attracting settlers, as they contained rich layers of flint nodules used to make implements. The Farnham Gravels have been an abundant source of Palaeolithic finds, most prominent being hand axes. The axes differ in type, and each type is associated with a cultural phase of the Palaeolithic period. Types similar to these are found in similar deposits in the Somme valley and in many English valley gravels. Flint mining was also carried out by the Neolithic folk. Polished axes and leaf forms, arrowheads and knives, or possibly lance heads, are characteristic of the Neolithic flint work.

Ovate handaxe with thick butt. 233 grams, 11.1 cm



From Central Sahara, Africa. Ex old German collection formed in the 1970s by Dr J Fehkhaber. Acquired on the European art market.

Roughly triangular in section with broad point; much cortex remaining. 713 grams, 21 cm



Found during the original official excavations in the Farnham area, Surrey, UK, which were conducted by Harold Faulker (1875-1963), and William Francis Rankine (c.1877-1962), who were instrumental with the excavation works and pit dwellings at sites including Six Bells, Frensham, Tilford, Thursley and Bagshot, and Waverley, amongst others at and near Farnham in the 1930s and 1940s. Much of the material is now in the prestigious Farnham museum. The present part of the collection having been gifted to their good friend and Haselmere Parish Priest, Charles Borelli (c.1914-2000) of Farnham; who was part of the Borelli family from Italy who emigrated from Lake Como in 1828 to set up the Borelli family watch and jewellery business; thence by family descent to his nephew.

Farnham district is one of the most interesting prehistoric regions in England, and has been visited by a succession of prehistoric peoples from Palaeolithic times onwards. Along the southern slope of the Farnham valley are three gravel terraces, which are famous prehistorically and have yielded large quantities of flint implements and bones of prehistoric animals, notably the mammoth. In prehistoric times, the chalk deposits played an important role in attracting settlers, as they contained rich layers of flint nodules used to make implements. The Farnham Gravels have been an abundant source of Palaeolithic finds, most prominent being hand axes. The axes differ in type, and each type is associated with a cultural phase of the Palaeolithic period. Types similar to these are found in similar deposits in the Somme valley and in many English valley gravels. Flint mining was also carried out by the Neolithic folk. Polished axes and leaf forms, arrowheads and knives, or possibly lance heads, are characteristic of the Neolithic flint work.

Comprising mostly bifacial and uniface leaf-shaped and piriform flint and chert arrowheads; probably from the Sahara region of North Africa. 105 grams total, 22-44 mm



UK gallery, early 2000s.

Similar specimens of arrowheads have been found in the Eastern Sahara Region of Abu Tartur Plateau. Most of the arrowheads came from the El Jarar Neolithic, c. 7700-7300 B.P. (c.6500-6100 B.C.). Other parallels occur in the region of Kharga Oasis.

Piriform body with pointed tip, an old handwritten label on one side. 262 grams, 12.3 cm



Found Test Road, Huzbourough Copse, Hampshire, UK, June 1965. From the collection of Martin Doyle, Leverstock, UK, 1980s-2000s.

Cordiform in plan and lentoid in section with acute point; inked legend 'Caply' to one face. 190 grams, 93 mm



From Caply, Northern France. From the UK art market.

Triangular in plan with two old collection notes '4307/1/28' and 'SNC 1.83 W.G.S.' 89 grams, 78 mm



Previously in several old Stone Age tool collections, having been annotated with two different accession numbers. Acquired from an Oxfordshire, UK, auction house. From the private collection of a West Midlands lady collector.

Curved body with some serrations on the upper edge, inked collector's note 'Nr Thetford' on one side. 71 grams, 13.9 cm



Found near Thetford, UK. From the collection of Martin Doyle, Leverstock, UK, 1980s-2000s.

Triangular arrowhead with an inked Hugh Fawcett collection monogram and notes 'N.America 60-83'. 1.2 grams, 27 mm



Ex Dr Hugh Alderson Fawcett (1891-1982), a general practitioner and antiquarian who built up an important collection of ancient implements, weapons and ornaments. From the collection of a West Sussex collector. Acquired from the UK art market in the 2020s.

Dr Hugh Alderson Fawcett (1891-1982) was a general practitioner and antiquarian who built up an important collection of ancient implements, weapons and ornaments. The bulk of his collection is now in the Bristol Museum and Art Gallery, but Fawcett previously sold or traded some examples. His distinctive monogram and careful recording of provenance make his pieces readily identifiable.