A squat ceramic Pre-Dynastic jar with broad everted rim and two lateral loop handles; bands of red and black waves to the rim, hatched bands to the shoulder and handles, bands of bird and ibex motifs to the body above triangles.

A D-shaped cartonage panel with painted design of the four sons of Horus seated within a rectangle, with radiating geometric designs in seven bands and broad band of winged uraeus and addorsed hawks above, all executed in ochre, crimson, blue-green and black pigment; supplied with custom-made frame.

A carved yellow jasper stamp seal, scaraboid in form with intaglio design to the base of a standing lion-headed goddess with crown, ankh symbol to one shoulder and mace to the other, between two columns and two monkeys, ibex heads below, stars above; below, the Western Semitic text "property of '-s-h", above, winged solar disc and bird with extended wings; accompanied by a museum-quality impression, ceramic replica of the seal and custom-made display stand.

An imposing rectangular monument, commissioned by a noble woman named Kallisti (meaning ‘the most beautiful’) in honour of her late husband, a senator named Apellinarius, son of Apellinarius, the priest of Apollo; the carved surface divided into three panels, surmounted by a triangular pediment enclosing the head of a female with long, braided hair, possibly Persephone, Queen of Hades, executed in Eastern provincial style, with the facial features simply carved, including large, almond-shaped eyes and a small, smiling mouth. Upper Panel: within a rectangular frame inscribed top and bottom with Greek text, the facing portraits of Apellinarius and Kallisti depicted as equals, side-by-side, Apellinarius with wavy hair incised in stylised curls and a simple tunic with a wide, v-shaped collar and Kallisti shown as a commanding middle-aged matrona with the veil indicating married status falling from her voluminous hairstyle and draped around her shoulders; to the far left of the frame, a hand, carved in shallow relief within a square border. Central Panel: also enclosed within bands of text, a conventional, stylised funerary scene in shallow relief, Apellinarius reclining on a high bed, wearing a heavily-draped toga supporting himself with his left hand, and holding a laurel wreath aloft in his right, Kallisti behind him in a similar pose with veil; to the far left a young man holding a bird in his right hand (a symbol of youth, vigour and attractiveness), possibly the couple's son, mourning his father and preparing to take his place as the male head of household; beneath the bed a small, highly stylised female slave wearing a peplos, her unveiled hair pulled into a bun at the nape of her neck, carrying a cup to the offering table. Lower Panel: eight lines of Greek text, with a ninth incised on the frame below, reading 'And as ... we disagree ... Gods of the underworld upon the earth rooted ... Kallisti of Bithys constructed this monument to herself and the senator Apellinarius, son of Apellinarius the good/worthy senator and priest of the god Apollo who lived twenty years out of his own means and who everyone saw caused no public expense, and if anyone is caught doing something against these [people or things], may he be brought to justice and fined 5000 denarii for impiety, and payable to the Imperial Treasury.’; mounted on a custom-made stand.

A Giallo Antico pink marble statue depicting the hero Hercules (Herakles) Bibax, draped in his lion skin, pulling it over his right shoulder and clutching the legs to his chest in his right hand; a bowl in the left hand, the lion skin slipped from his left shoulder and chest, its head hanging down from his left arm; the club supporting his relaxed left leg; the muscles in both legs well defined, his feet set on an integral rectangular base, the back with a rectangular recessed slot, continuing down to the heels, implying that the statue may have been an architectural attachment.

A fine round-section trichinopoly band with loop and collar to each end, series of five graduated gold hinged discoid plaques each with an inset blue or red glass cabochon; from the lower edge of the central plaque, a hinged cruciform pendant of one discoid and three piriform garnet cabochons with granule below, two lateral securing chains.

A massive ceremonial ring, the heavy D-section band with a series of three stylised acanthus leaves with separating bands in relief to each shoulder and side, the back of the band showing a large Maltese cross in relief with small Maltese cross and pellet at centre; the raised bezel cell, open at the back to the interior of the band, holding an oval cabochon emerald depicting a deeply carved Maltese cross with pellet centre.

A flat-section gold hoop with opus interrasile scrolls, piriform plaque with four cabochon gemstone inserts (garnet, emerald, lapis lazuli and rock crystal?) and central pearl, granule detailing to the edges of the plaque.

A flat-section hoop with applied wire borders scrolled to the upper ends, groups of four granules to the shank; cell with beaded wire rim to each shoulder with inset cabochon garnet; broad discoid gold cell with beaded wire border and filigree running scroll to the outer edge; inset blue glass cabochon with remains of applied detailing.

A gilt-bronze half of a Ringerike style "Great Beast" finial for a Viking longship's weathervane formed as a standing quadruped with scrolls to the hips and shoulders, slashes to the flanks, raised head with piriform eye and curled lappet to the upper lip; attachment holes to the lower legs and pierced rectangular panel to the top of the head to accept a separately-cast comb.

A fusiform banded agate cylinder seal with intaglio design of a sow and three piglets, inscribed with cuneiform text 'Mamat-huban', possibly the name of the owner; accompanied by a museum-quality impression.

A silver waisted vessel with guilloche to the upper and lower edges, upper frieze of advancing winged lions with rosettes between, lower frieze of birds and rosettes; lobed motif to the underside, provincial workmanship.

A matched pair of hollow-cast bronze penannular bracelets with rattles, each with D-shaped flat finials and zigzag to the outer edges, bands of transverse and chevron ribbing with raised bosses.

A bronze bit and flanking plaques comprising: round-section bit with flattened and scrolled ends; two plaques, each depicting the 'Mistress of Animals' standing in long fringed robe and horned tiara on a rectangular base, flanked by attacking winged gryphons, three loops to the reverse.

A pair of shallow porcelain dishes with white ground, decorated in enamels in the 'Doucai' style showing a five-claw dragon chasing a sacred pearl internally with cloud scrolls to inner rim and swirling waves and cloud scrolls to underside; six-character mark and of the period seal in underglaze blue of emperor Yong-Zheng (Yung-cheng) to bases.

A matched pair of small porcelain bowls with white ground decorated in enamels and underglaze blue in the 'Doucai' style, showing floral and foliage sprays iinternally and externally; each with the six character seal marks in underglaze blue and of the period of emperor Dao-Guang (Tao-Kuang) to the bases.

A solid iconographic ring with ridged bezel of three panels depicting an angel to the right, God the Father holding the infant Christ in the centre and the Virgin Mary to the left, as viewed; the band tapering evenly in width from the shoulders to the narrowest point at the back and decorated all around with six diagonal lines of beading set on the line cusps; in the broad bands adjacent to the bezel, engraved pairs of foliage motifs of flowers on stems with star between; inscribed to the inside of the bezel, a form of 'I AM LOYAL' in black letter script.

A narrow round-section hoop with delicate clasped-hands motif modelled in the round to the underside, bezel formed as two hands supporting a bowl with arcade ornament, claw setting for a polished conical amethyst.

A gladius short sword with lentoid-section forge-welded parallel-sided blade tapering at about four-fifths of the length to an acute point; the wooden lower guard D-shaped in profile with a bronze plaque beneath where the tang enters; bone grip, square in section with five raised ribs; lentoid-section D-shaped wooden pommel with collared bronze knop.

Group I, without portrait, BMC type 99. Obv: king's name CENVVLF between hooked lines with Mercian 'm' and trefoils of pellets above and R.E.X below. Rev: 'bone-ended' tribrach with pelleted centre lines dividing .DI .O: L.A. legend with lozenge 'O' for the moneyer Diola at London mint.