Comprising a flat-section hoop with expanding openwork shoulders set with turquoise-coloured glass cabochons, a raised bezel with piecrust edge, and an oval red glass cabochon. 8.41 grams, 30.94 mm overall, 19.96 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



Prior English collection of Mr A.H.D. Property of a West Northamptonshire, UK, gentleman. Accompanied by an Ancient Art certificate of authenticity.

With blue, yellow, white and green enamel, representing the Anastasis (Resurrection of Christ); the Saviour represented on two registers, in the upper one (Resurrection) emerging from the grave, surrounded by the hesychastic light, with the Roman soldiers falling asleep, and the apostles and a cherub beside him; in the lower register (Descent into Hades) Christ surrounded by the same divine light, leading the people from the Limbo, Adam and Eve, King David and Salomon and other souls to heaven; the frame decorated with gilt arabesques on blue enamel, inscriptions in Old Slavonic at the top. 200 grams, 11 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The iconography is typical of the Anastasis or Resurrection of Christ, with the gates of Hades broken under the feet of Christ, echoing the phrase: 'Christ is Risen From the Dead, Trampling Down Death by Death, and Upon Those in the Tombs Bestowing Life!'

Flat-section hoop with openwork shoulders decorated with granules, large oval agate cabochon. 9.96 grams, 30.90 mm overall, 19.66 mm internal diameter (approximate size British U, USA 10, Europe 22.52, Japan 21)



Prior English collection of Mr A.H.D. Property of a West Northamptonshire, UK, gentleman. Accompanied by an Ancient Art certificate of authenticity.

Rectangular wooden panel with chamfered border, gesso and gilt surface; painted image of a standing nimbate figure, bare-headed and wearing a cuirass and red cloak, with curved rectangular shield and drawn sword; legend: 'OAΓι ΓΕωΡΓιοC' (Saint George); 'COPY 40 TAM 2' to verso and label with details in Greek, English and French 'No.1903b Byzantine Museum. "St George" 15th cent.' 1.79 kg, 52.5 x 30.2 cm



From the private collection of John Meredith, acquired since the 1990s; thence by descent.

A rectangular plaque with four rows and seven columns of various marble and imperial porphyry specimens, from the Grand Tour. 2.81 kg, 26.5 x 18 cm



Acquired at Shepton Mallet Fair, Somerset, UK, in 2010. From the private collection of a Somerset gentleman.

Keeled hoop with foliate motifs on the shoulders, raised bezel set with an agate. 8.88 grams, 37.80 mm overall, 18.21 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Acquired from bid2antique, Bangkok, Thailand, on 8th May 2008. Property of a West Northamptonshire, UK, gentleman.

Comprising: sky-blue enamelled type with reserved terrier 'Blue Cross Junior Branch'; white roundel with reserved stag and tree, dark blue outer with legend 'O.D.F.L Juvenile Branch'. 11.4 grams total, 24.1-25.5 mm



Property of a Cambridgeshire, UK, gentleman.

Bifacial pendant depicting a standing male in profile wearing a morning suit and hat; hinged tab beneath the foot acts as a lever which extends his hand and phallus. 4.40 grams, 38 mm



Found East Sussex, UK.

A monocular microscope with a mechanical stage, a box containing glass slides, and other accessories, housed in a mahogany case with a handle. 2.41 kg total, 28 x 17.5 x 14.3 cm



From the vendor's grandfather, thence by descent.

Representing Saint Nicholas of Mira, with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion, all embroidered with crosses; the saint flanked by Jesus and Virgin Mary, Christ holding the Gospel, Mary the bishop’s epitrachelion; Cyrillic inscriptions 'Saint Nikolaos the Wonderworker (СВЯТЫЙ НИКОЛА ЧУДОТВОРЕЦ), Iesus Christos (ΙΣ ΧC) and Mother of God (ΜΡ ΘΥ)' on the enamelled background. 341 grams, 12.1 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon features meticulous craftsmanship typical of Orthodox iconography. The enamel colors, despite the passage of time, retain their vibrant intensity, highlighting the key elements of the depicted images. The refined details and use of enamel give depth and luminosity to the icon, making it a precious example of the Russian Orthodox tradition.

Hand-bound vellum gathering with cotton cords; approximately 60 leaves, each with thirteen lines of Ge'ez script to both faces in black ink with red punctuation and emphasis; inked knotwork panel, guilloche and other decorations; thin red leather cover on hide boards with punched cruciform pattern to outer faces, lattice to inner faces; spine separated from gathering, some wormholes. 134 grams, 10.1 x 7.3 cm



From an English private collection, 1980s. Property of a London, UK, antiquarian.

Saint George on horseback, dispatching the dragon with a spear; the saint dressed in lamellar Roman cuirass and seated on a high-ended saddle secured by breast, rump, and belly straps; Old Slavic inscription on the top, reciting Saint George (Свято́й Гео́ргий ). 90 grams, 65 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

According to the Christian tradition, Saint George would have lived between the end of the 3rd century and the beginning of the 4th century: born into a noble Christian family, he became an officer in the Roman army and was then named a praetorian by Diocletian. But when the same emperor decided to resume the persecutions, Saint George became a victim despite his important political rank. His role in the development of the faith is so important that he is included among the Great Martyrs of the Eastern Church and his fight against the dragon becomes a symbol par excellence of the fight for good which defeats evil.