Broad and squat with flared sidewall and lip to the inner edge of the mouth. 250 grams, 16.1 cm



Ex 1990s collection and with a central London gallery.

Rounded body with large central filler hole and pointed lug on the shoulder, the rim with a low-relief ovolo decoration, elongated nozzle with scooped nozzle; low basal ring.; old collector's label 'MH1932'. 34 grams, 65 mm



From an old West Country, UK, collection, sold at auction. From the private collection of a West Midlands lady collector.

In black glaze with a single looped handle, expanding neck, ribbed belly and stepped foot with red ochre band. 109 grams, 96 mm



Acquired on the art market between the late 1990s and mid-2000s. Estate of the late Barry Paul Buxton (1944–2024), Oakham, Rutland. Acquired on the UK art market, 2025.

Comprising a slender hoop and an oval bezel with a standing female figure holding a flower. 4.91 grams, 24.51 mm overall, 19.94 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



London, UK, art market, 1980s. Private collection, London, UK.

Modelled in the round with pelta-shaped tail, columnar neck and pellet eyes; pierced through chest and back for attachment. 11.16 grams, 38 mm



Ex collection Mr K.H., Germany. Private collection, acquired in 2012.

Formed from a single filament rolled into two 'spectacle' discs; one of the spirals terminating in a long pin, the other in a hook serving as the catch; openwork figure-of-eight at the centre. 25.8 grams, 80 mm



Ex collection Mr. K.H., Germany, Private collection, acquired in 2012.

With a narrow neck and carinated mouth, developing to a biconical body and flared foot; mounted on a custom-made stand. 24 grams total, 80 mm high, 93 mm including stand



From a Scottish gentleman’s collection, Glasgow, formed from the early 2000s.

Discoid flat-section body with a tongue-shaped, pierced handle. 150 grams, 13 cm



London, UK, art market, 1980s. Private collection, London, UK.

Slipper-shaped in plan and biconvex in section with radiating hatching to the shoulder, long nozzle with scooped end; impressed motif (maker's mark) to centre of the underside. 36 grams, 82 mm



From the Lloyd and Jeanne Raport collection, Washington, D.C. and Florida, USA, formed between 1972-2000. Acquired through Bonhams, London, UK.

Broad and shallow with flared sidewall, two parallel circumferential rows of repoussé pellets. 135 grams, 17.1 cm wide



From the collection of North West London, UK, gentleman, 1990-2000s.

Stylised bird figure perching on a convex panel, shank beneath pierced and lug finial pierced perpendicularly. 16.9 grams, 60 mm



Acquired in the 1994. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s.

A horse and rider figure modelled in the round, standing on elongated stub legs, stout neck with stylised painted mane and coat detailing, waisted muzzle with raised almond-shaped eyes defined by painted roundels, solid colouring to the muzzle and short tail; rider represented by a torso and D-shaped head, arms reaching for the horse's neck and gripping its mane, painted detailing to the arms, hands and face. 206 grams, 15.5 cm wide

Fine condition.

London deceased estate, 1960s-1970s. Property of a Cambridgeshire, UK, gentleman. From the private collection of John Meredith, acquired since the 1990s; thence by descent.

Terracotta figurines of horse and rider were common grave offerings in Boeotia, northwest of Attica, particularly during the 6th century B.C. Representations of warriors on horseback were already diffused in the Geometric Period, and widely employed in Cyprus, in this same period. The image of our rider, although influenced by Cypriot designs, does not show typical Cypriot characteristics, and indeed his kausia cap suggests a northern Greek origin.