Comprising thirty-eight Ghanaian Krobo fused powder glass beads textured to resemble coral. 145 grams total, 15-18 mm

Ex collection of a late London gentleman, 1970-1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled standing with erect head, short curving horns and narrow muzzle, suspension loop on the back. 88 grams, 66 mm

Nicolas Koutoulakis (1910-1996), thence by descent.
Ex Galerie Khnoum, Geneva, Switzerland.
Private collection of Mr K.A.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A male wearing a tunic belted to the waist; left hand on hip, right hand raised holding a club(?); incised details to the face. 10 grams, 50 mmFine condition.

Ex property of a North London lady; gifted from her father's collection; formerly with a Mayfair gallery, London, UK; previously acquired in the 1980s.
From the private collection of John Meredith, acquired since the 1990s; thence by descent.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Bulbous in profile with trumpet-shaped mouth and strap handle to rear; below the mouth, a trapezoidal panel with high-relief image of a female mask with radiating strands of hair, lozengiform urna to the brow, drop earrings. 1.25 kg, 20.7 cm

UK collection, 1990s.
Acquired on the UK art market, before 2000.
Private collection, Mr M.V., a London-based businessman.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With flared foot, broad bowl with carinated profile, everted rim; painted band to the equator. 643 grams, 14 cm

Ex London, UK, collection, 1990-2000.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Plano-convex in profile with intaglio reclining zebu facing left; supplied with a museum-quality impression. 16.1 grams, 25 mm

Acquired in Paris, France, in the early 1990s.
From the collection of G.M.R.H., London, UK.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A shallow hemispherical bowl with rounded base and incised circumferential band beneath the rim. 130 grams, 15.8 cm

Ex London, UK, collections, 1990s-2000s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Rectangular in plan with triangular suspension plaque, obverse with geometric design within a billetted border, reverse with five lines of Kufic script. 7.56 grams, 29 mm

From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A squat pitcher with rounded base, carinated shoulder and groups of applied disc and other stamps, everted rim with three ribbed strap handles, short spout. 875 grams, 20.5 cmFine condition.

From an important central London collection formed since the mid 1960s; thence by descent.
From the private collection of John Meredith, acquired since the 1990s; thence by descent.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Openwork stamp with loop handle; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze 36x33x13 mm. This is flat, compartmented and open-work, with a handle of inverted V-shape on the back. The design is a linear pattern: to each end is a horizontal straight line, the two being joined by pairs of diagonal lines from them crossing in the middle and creating a row of one rhomb and two triangles in the middle. This comes from west central Asia and dates to c. 2300-2000 B.C. It is a nice example of its kind and in very good condition.' 10 grams, 36 mm

From the collection of the late Mr S, 1970-1990s.

Accompanied by an original typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Including one drum-shaped alabaster type with segmented geometric design, one polished columnar example with frieze of figures and other types. 65 grams total, 19-31 mm

From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With a short tang and long blade with swept shoulders, raised midrib. 454 grams, 52.2 cm

Acquired 1980-2015.
Ex Abelita family collection.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. MacGregor, A., Antiquities from Europe and the Near East in the collection of the Lord McAlpine of West Green, Ashmolean Museum, 1987, no.17.25 and 17.27, for typology.

In the last ninety years, many such tanged blades have been considered coming from production centres of North-West Iran, like Amlash and Marlik, where similar specimens were found. Without context an accurate dating is impossible, but the shape recalls the rapiers of Bronze Age or Early Iron Age.