Home > Auctions > 9 - 17 September 2025
Ancient Art, Antiquities, Books, Natural History & Coins
Sold for (Inc. bp): £52
The coin of Constantine the Great (272-337 A.D.) mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 4/1150. 1.26 kg, 49.5 x 37.5 cm
UK gallery, early 2000s.
Accompanied by a previous certificate of authenticity.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for parallel scientific reconstructive paintings Wilcox P., McBride A., Rome's Enemies (2), Gallic and British Celts, London, 1985, pl.G,
David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.
UK gallery, early 2000s.
Accompanied by a previous certificate of authenticity.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for parallel scientific reconstructive paintings Wilcox P., McBride A., Rome's Enemies (2), Gallic and British Celts, London, 1985, pl.G,
David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.
Handle from a twin-bladed triangular razor, in the form of the head and neck of a panther, the head turned backwards, the panther having backwards-pointing ears, the eyes of the animal depicted by a horizontal engraved line within an elongated leaf-shaped moulding, the nose curving downwards and its tip tapering to a rounded end, smooth neck. 5.6 grams, 27 mmFine condition.
From a Home Counties collection, formed 1970-1980.
From the private collection of John Meredith, acquired since the 1990s; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From a Home Counties collection, formed 1970-1980.
From the private collection of John Meredith, acquired since the 1990s; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Fragments of wall plaster with rendered surface painted with mainly red, pale blue and white detailing; some with impression of timber laths to the reverse. 882 grams total, 8-11.3 cm
Acquired in the 19th century.
Ex Jeger collection, Switzerland.
UK gallery, early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hakanen, V., 'VI Wall Plaster Fragments' in Berg, R., Kuivalainen, I., Domus Pompeiana M. Lucretii, IX,3, 5.24, The inscriptions, Works of Art and Finds from the Old and New Excavations, Vantaa, 2019, pp.196-224, figs.3-4.
These small fragments, for analogies with the fragments of Pompeii, seem to belong to the second style of Roman painting, red panels representing highlight and shadow, decorated with vegetal interlaces. Some panels were probably framed by a red grenade fillet. A fragment shows alternate blue and red colour over a cream background, maybe pertinent to a socle.
Acquired in the 19th century.
Ex Jeger collection, Switzerland.
UK gallery, early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hakanen, V., 'VI Wall Plaster Fragments' in Berg, R., Kuivalainen, I., Domus Pompeiana M. Lucretii, IX,3, 5.24, The inscriptions, Works of Art and Finds from the Old and New Excavations, Vantaa, 2019, pp.196-224, figs.3-4.
These small fragments, for analogies with the fragments of Pompeii, seem to belong to the second style of Roman painting, red panels representing highlight and shadow, decorated with vegetal interlaces. Some panels were probably framed by a red grenade fillet. A fragment shows alternate blue and red colour over a cream background, maybe pertinent to a socle.
Comprising: a blue ewer with applied trails to the body; slender vase with applied handle; two small bottoms of toilet bottles with trails in contrasting colours. 14 grams total, 18-30 mm
From the private collection of Mr K.A., acquired in the 1990s-early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for a blue toilet bottle with a similar terminal Whitehouse, D., Roman Glass in the Corning Museum of Glass, vol.2, New York, 1997, item 702.
Some fragments of this small group belong to the category of glass toilet bottles decorated with a single trail of glass dropped onto the bottom of a spike, drawn up, then wound around wall and lower neck.
From the private collection of Mr K.A., acquired in the 1990s-early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for a blue toilet bottle with a similar terminal Whitehouse, D., Roman Glass in the Corning Museum of Glass, vol.2, New York, 1997, item 702.
Some fragments of this small group belong to the category of glass toilet bottles decorated with a single trail of glass dropped onto the bottom of a spike, drawn up, then wound around wall and lower neck.
Comprising a conical body with collared suspension loop above. 0.31 grams, 11 mm
From the collection of a late Japanese collector, 1970s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for similar biconical pendants from earrings Baldini Lippolis, I., L'Oreficeria nell'Impero di Costantinopoli tra IV e VII secolo (the Jewellery in the Empire of Constantinople between IV and VII century, in Italian), Bari, 1999, p.102 no.1.
During the Late Empire, earrings with biconical foil applications became widespread in Roman Egypt. The comparison with necklaces containing similar biconical elements used as beads or suspension elements for pendants seems to give consistency to the chronological indication of the 6th century, especially in that geographical area.
From the collection of a late Japanese collector, 1970s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for similar biconical pendants from earrings Baldini Lippolis, I., L'Oreficeria nell'Impero di Costantinopoli tra IV e VII secolo (the Jewellery in the Empire of Constantinople between IV and VII century, in Italian), Bari, 1999, p.102 no.1.
During the Late Empire, earrings with biconical foil applications became widespread in Roman Egypt. The comparison with necklaces containing similar biconical elements used as beads or suspension elements for pendants seems to give consistency to the chronological indication of the 6th century, especially in that geographical area.
Key-shaped with La Tène Style comma-shaped arms, chamfered edges to shank; pin and catch to reverse. 10.3 grams, 37 mm
Acquired on the London art market in the late 1980s-1990s.
From the family collection of an East London, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the London art market in the late 1980s-1990s.
From the family collection of an East London, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sold for (Inc. bp): £65
A designer necklace composed of mainly oblate beads, central feature composed of large barrel-shaped bead with a suspended glass ring below; restrung. 14.9 grams, 30.3 cm
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For examples of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For examples of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
Lentoid in plan and hollow to the reverse, low-relief mask detailing. 25.9 grams, 43 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Modelled in the round with shallow socket to the reverse, high-relief facial detailing. 17.01 grams, 28 mm
Acquired on the London art market in the late 1980s-1990s.
From the family collection of an East London, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the London art market in the late 1980s-1990s.
From the family collection of an East London, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Shallow piriform bowl attached to a stepped baluster, hexagonal-section handle with baluster finial. 14.7 grams, 12.1 cm
Acquired on the UK art market during the late 20th century.
From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the UK art market during the late 20th century.
From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sold for (Inc. bp): £117
Including: bracelet with clubbed ends; single-edged knife blades; dress pins; brooch chord; and other items. 184 grams total, 1.6-14.6 cm
From a London, UK, collection 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From a London, UK, collection 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sold for (Inc. bp): £46
Composed of mainly oblate beads restrung to a Y-shape. 9.93 grams, 48 cm
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For example of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For example of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
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661 - 672 of 3897 LOTS
661 - 672 of 3897 LOTS
