Home > Auctions > 9 - 17 September 2025
Ancient Art, Antiquities, Books, Natural History & Coins
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See The Metropolitan Museum of Art, accession numbers 06.176.26 and 06.176.48, for broadly comparable objects, dated 1st-7th century AD; see accession number 06.176.24, for a similar object formed as a horse; 06.176.71, for similar formed as a leaping feline.
Acquired in the late 1980s.
Private collection, 2001.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the collection of a late Japanese collector, 1970s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of Surrey, UK, gentleman.
From the private collection of a Kent, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Found Warwickshire, UK.
From the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the UK art market.
Property of an East Anglia, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired in 1993.
Private collection, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
There are reliefs and paintings from across the Empire showing religious processions involving cult statues of the two goddesses. The famous Roman novel 'The Golden Ass' by Lucius Apuleius provides literary evidence of such processions in honour of the goddess Isis. The statue of the goddess was taken from the temple and processed through the streets with great pomp and ceremony on an elaborate bier or cart by the priests and devotees to the accompaniment of music and prayers.
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for similar necklaces in blue glass Johns, C., The Jewellery of Roman Britain, Celtic and Classical Traditions, London, 1996, p.100.
Such necklaces testify to the popularity of glass ornaments across the Roman Empire. Roman jewellery at first followed trends set by the Etruscans, using gold and glass beads, but with the extension of the Empire and the adoption of different styles from Greece, Egypt and North Africa, jewellery designs became increasingly various and elaborate. Each bead of this beautiful necklace is unique in shape, lustre and speckling, creating a mosaic like impression. Blue glass beads are distinguished by the scholars in opaque mid-blue and deep translucent cobalt blue.
625 - 636 of 3897 LOTS



