Home > Auctions > 9 - 17 September 2025
Ancient Art, Antiquities, Books, Natural History & Coins
Sold for (Inc. bp): £39
A designer necklace string composed of alternating oblate and barrel-shaped beads; central feature composed of larger beads including a conical and an annular bead, restrung. 13.7 grams, 31 cm
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For examples of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For examples of similar black Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs. 7 (esp.8,10,11), 8 no.14, 10b no.55.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones). Green, blue-green, blue, yellow, and black drawn and rounded glass beads (like here) are late Roman types.
With slightly flattened base and spherical body, tubular neck with flared and rolled rim, one handle absent. 22.77 grams, 77 mm
Ex property of a London collector; acquired 1960s.
Property of a North London, UK, lady.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Whitehouse, D., Roman Glass in the Corning Museum of Glass, vol.2, New York, 2001, item 621, for type.
Ex property of a London collector; acquired 1960s.
Property of a North London, UK, lady.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Whitehouse, D., Roman Glass in the Corning Museum of Glass, vol.2, New York, 2001, item 621, for type.
Sold for (Inc. bp): £91
Composed of graduated cylindrical beads with a conical pendant bead at the centre; restrung. 19 grams, 39 cm
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For similar green Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs.3a, 4,5,7.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones).
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For similar green Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs.3a, 4,5,7.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones).
Discoid clay mould with design of a coin to each face. 4.74 grams, 27 mmm
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Keeled hoop with angled shoulders, oval bezel with incised legend 'APA[I]', probably an abbreviated personal name. 7.43 grams, 26.67 mm overall, 18.25 x 13.32 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)
Acquired on the London art market in the late 1980s-1990s.
From the family collection of an East London, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the London art market in the late 1980s-1990s.
From the family collection of an East London, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Squat in profile with small loop handle and D-shaped nozzle, discus with low-relief vessel and foliage; maker's mark to underside 'MNOVIVST'. 56 grams, 97 mm
From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990.
Property of an Essex lady until the late 1990s; thence by descent.
From the private collection of an Essex gentleman since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, no.329, p.231, for type.
The lamp belongs to the Bussière type, form D I 3, from a period between the Late Flavian era to the second half of the second century A.D. Like the types of this category, the ring handle shows two grooves on the upper part and the filling hole is in the lower part.
From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990.
Property of an Essex lady until the late 1990s; thence by descent.
From the private collection of an Essex gentleman since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, no.329, p.231, for type.
The lamp belongs to the Bussière type, form D I 3, from a period between the Late Flavian era to the second half of the second century A.D. Like the types of this category, the ring handle shows two grooves on the upper part and the filling hole is in the lower part.
Sold for (Inc. bp): £20
Composed of graduated beads with larger beads as a central feature; restrung. 15.1 grams, 42 cm
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for similar necklaces in blue glass Johns, C., The Jewellery of Roman Britain, Celtic and Classical Traditions, London, 1996, p.100.
Such necklaces testify to the popularity of glass ornaments across the Roman Empire. Roman jewellery at first followed trends set by the Etruscans, using gold and glass beads, but with the extension of the Empire and the adoption of different styles from Greece, Egypt and North Africa, jewellery designs became increasingly various and elaborate. Each bead of this beautiful necklace is unique in shape, lustre and speckling, creating a mosaic-like impression. Blue glass beads can be grouped into opaque mid-blue and deep translucent cobalt blue types.
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for similar necklaces in blue glass Johns, C., The Jewellery of Roman Britain, Celtic and Classical Traditions, London, 1996, p.100.
Such necklaces testify to the popularity of glass ornaments across the Roman Empire. Roman jewellery at first followed trends set by the Etruscans, using gold and glass beads, but with the extension of the Empire and the adoption of different styles from Greece, Egypt and North Africa, jewellery designs became increasingly various and elaborate. Each bead of this beautiful necklace is unique in shape, lustre and speckling, creating a mosaic-like impression. Blue glass beads can be grouped into opaque mid-blue and deep translucent cobalt blue types.
Penannular body with linear and X-motif decoration. 27 grams, 60 mm
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sold for (Inc. bp): £176
Mainly Colchester-type and trumpet types. 45 grams total, 32-47 mm
From an English collection formed before 2000.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From an English collection formed before 2000.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
With stepped rim, openwork radiating cured arms from a central hub; pin, pin-lugs, and catch to the reverse. 13.1 grams, 30 mm
Found Thames foreshore, London, UK.
Acquired from Coincraft, London, UK.
From the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent.
Accompanied by a Coincraft certificate of authenticity.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hattatt, R., Ancient Brooches and Other Artefacts, Oxford, 1989, item 1696, for type.
Found Thames foreshore, London, UK.
Acquired from Coincraft, London, UK.
From the private collection of Kenneth Machin (1936-2020), Buckinghamshire, UK; his collection of antiquities and natural history was formed since 1948; thence by descent.
Accompanied by a Coincraft certificate of authenticity.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hattatt, R., Ancient Brooches and Other Artefacts, Oxford, 1989, item 1696, for type.
Sold for (Inc. bp): £72
Composed of mainly annular and oblate red glass beads interspersed with larger green glass beads; restrung. 24.9 grams, 61 cm long
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For examples of similar green Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, pp.203–234, figs.3a, 4,5,7; for examples of similar red beads fig.4 nos.7-8-9 and 16-23.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow, and red. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones).
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For examples of similar green Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, pp.203–234, figs.3a, 4,5,7; for examples of similar red beads fig.4 nos.7-8-9 and 16-23.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow, and red. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones).
Formed as a stylised phallus with rounded testes and large suspension loop above. 15.1 grams, 38 mm
Acquired on the UK art market during the late 20th century.
From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the UK art market during the late 20th century.
From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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601 - 612 of 3897 LOTS
