Home > Auctions > 9 - 17 September 2025
Ancient Art, Antiquities, Books, Natural History & Coins
From the private collection of Mr K.A., acquired in the 1990s-early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Roman gemstone in the British Museum, London, with hunting dog, hare and eagle, inventory 1814.0704.1417, for style, in Walters, H.B., Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, 1926, no.2417.
The Romans kept dogs for many purposes; such as for hunting game, protecting a flock of sheep, guarding the house, and providing companionship.
Acquired on the UK art market before 2000.
Property of an Essex, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From an old English collection, Oxfordshire, UK.
Property of a Berkshire, UK, collector.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For example of similar yellow Roman beads see Then-Obluska, J., ‘Beads and pendants from the Hellenistic to early Byzantine Red Sea port of Berenike, Egypt, Seasons 2014 and 2015’ in Polish Archaeology in the Mediterranean, 27/1, 2018, pp.203–234, figs.8, 9b,10a,12b.
In the Roman period there was a strong formal and chromatic diversity of glass beads used for necklaces and bracelets. The most common beads in forms were small biconical (lenticular), barrel-shaped, spherical and annular; the most common colours were dark blue, followed by green and yellow. The succession of glass beads often imitates jewellery made of costly materials (gold, silver, semi-precious and precious stones).
UK private collection before 2000.
Acquired on the UK art market.
Private collection, London, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the London, UK, art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. for similar necklaces in blue glass Johns, C., The Jewellery of Roman Britain, Celtic and Classical Traditions, London, 1996, p.100.
Such necklaces testify to the popularity of glass ornaments across the Roman Empire. Roman jewellery at first followed trends set by the Etruscans, using gold and glass beads, but with the extension of the Empire and the adoption of different styles from Greece, Egypt and North Africa, jewellery designs became increasingly various and elaborate. Each bead of this beautiful necklace is unique in shape, lustre and speckling, creating a mosaic like impression. Blue glass beads are distinguished by the scholars as opaque mid-blue and deep translucent cobalt blue.
Ex Mayfair, London, UK, gallery, 1990s-2000s.
From an important collection of glass, the property of a London gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the London art market in the late 1980s-1990s.
From the family collection of an East London, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the UK art market during the late 20th century.
From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired on the UK art market in the 1970s-1990s.
Property of a Nottinghamshire, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For a similar hooked tag of the early Medieval period see PAS NLM-0E59DC and NLM-0E0E3D.
The use of hooked tags for fastening first became fashionable during the Anglo-Saxon period. They are usually triangular or circular in shape, of sheet metal (normally bronze or occasionally in silver) and have two or three attachment holes at the widest end.
Found Little Blakenham, Suffolk, UK.
Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.SF-4991D6.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
469 - 480 of 3897 LOTS



