Comprising: one stamped 'THE BREWERY VENTNOR'; one stamped 'W.B. MEW LANGTON & CO LTD. NEWPORT. I.W.'; two stamped 'BEST LONDON STOUT. BOTTLED BY J. CORBOULD. VENTNOR. I.W.', one with a stopper; one stamped 'W.T.DEEKS CHEMIST SHANKLIN I.W.' with a stopper; one stamped ' HOME BREWED GINGER BEER. FLANDER & CO. NEWPORT'; one stamped 'J. TAPLIN & CO'. 9.8 kg total, 16.7-24 cm



From the private collection of an East Anglian gentleman, 1970s-early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Round in section and piriform in profile with taotie masks supporting drop handles, domed lid with three dragon appliqués. 4.03 kg, 36.5 cm



From an Oxford, UK, collection. Ex London, UK, gallery. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Each an ellipsoid plaque with black enamel base and filigree collar, inset table-cut diamond; in a lined presentation case. 8.49 grams total, 16 mm each



Private collection, London. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12818-241429. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Including nine Roman and later coins, a large convex disc with low relief foliage decoration, two bronze moulds, a carved stone fragment. 668 grams total, 1.1-14.1 cm



Acquired on the UK art market. Property of an East Anglia private collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Piriform in profile with gently flared base, low neck; two lateral loop handles to the shoulders with spur beneath. 26.3 kg, 49 cm



Acquired on the UK art market in the 1990s. From the Dr Ince collection, N.W. London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With D-section hoop widening at segmented shoulders, discoid bezel with engraved charging bull. 15.21 grams, 27.58 mm overall, 19.25 mm internal diameter (approximate size British T 1/2, USA 10, Europe 22, Japan 20)



Private collection of a North London lady before 2000. Property of a London, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Each door a single board with graduated scalloped upper edge, horizontal wooden bars to the reverse, hand-forged iron hinge knuckles and D-section leader to left door; primed with tempera on both faces and painted on the obverse, each with a bottle-green field, blue-grey frontage with vermillion upper storey and gilt roof; Left Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King David standing holding an unfurled scroll, wearing a gilt crown, vermillion tunic and blue mantle; before the wall a winged angel Gabriel holding a frond, wearing a draped mantle over ankle-length chiton and sandals; above, red painted legend 'BOUNA'; to the right edge, a D-section leader painted with red, white and blue diagonal stripes; Right Door: portion of city wall with tall, narrow building behind, balcony at the upper level with King Solomon standing holding a scroll and wearing a gilt crown, similar tunic and mantle to the other; dove descending towards Mary standing before the wall in front of a cushioned throne, with gilt nimbus around her head; red painted legend 'V E S T I R E' above; rare. 13.8 kg total, 132 x 34 cm each



Property of a London, UK, gentleman collector. Accompanied by a copy of a Romanian export licence. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12466-229954. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The 'royal doors' (Greek: Ωραία Πύλη) mark the entrance to the iconostasis (wooden screen hiding the altar) in an Eastern Orthodox church.

Hollow-formed miniature of a sphinx couchant with forelegs extended, wearing the nemes crown and with tasseled braid placed along the spine; mounted on a wooden display stand. 1.44 kg total, 25 wide including stand



From the private collection of a S.W. London gentleman, acquired in the 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The most celebrated Sphinx in Egyptian mythology is the monument built near the pyramids as a protective symbol, to wish the pharaoh a peaceful afterlife. It has a leonine body and a human head. The Sphinx could be shown as male or female, depending on the pharaoh or queen it had to protect. The inclusion of sphinxes in temple complexes became a tradition lasting into the Roman period and Late Antiquity. Many pharaohs had their heads carved atop the guardian statues of their tombs, in part to show their close relationship with the powerful solar deity Sekhmet, a lioness. This cast bronze sphinx is a fine example of neoclassical sculptural art under the influence of Egyptomania and the renewed interest in the culture of ancient Egypt sparked by Napoleon’s Egyptian Campaign from 1798. At a time when only few could afford a trip to Egypt during the peak of Egyptomania contact could be made with Egyptian culture through literature, architecture and art. Particularly influential were Vivant Denon’s Voyage dans la Basse et la Haute Égypte, the Institute of Egypt's Description de l'Égypte, Robert Adams's interior decoration, Verdi’s Aida and the pedestal sphinxes protecting the obelisk of Tuthmosis III (Cleopatra's Needle).

With tapering body and two lateral strap handles; reserved flower and tendril motifs across the surface with inset foliate panels: Side A - above, kneeling figure among tendrils, below: figure riding a goat; Side B - above: figure crouching among tendrils, below: figure riding a horse; base stamped 'Kinco'. 463 grams, 22.8 cm



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A substantial long hook and a shorter one to the suspension end, adjustable counter weight. 1.17 kg, 45.5 cm



From the personal collection of a South West London gentleman since the 1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising: one stamped 'GOULD. HIBBERD & RANDALL LTD. ISLE OF WIGHT' with stopper; one stamped 'HIBBERD & CO. VENTNOR EST. 1863' with stopper; one stamped 'HOME BREWED GINGER BEER NEWPORT, I.W. TAPLIN'; one stamped 'JOHN GOULD'S SPECIAL BREWING. THE CARISBROOKE GINGER BEER'; one stamped 'HOME BREWED GINGER BEER SHANKLIN I.W.'; one stamped 'GREENHAM & CO. SHANKLIN'; accompanied by a booklet by Stephen H. Day, Castaways- collectable containers. 3.2 kg total, 17-19 cm



From the private collection of an East Anglian gentleman, 1970s-early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a D-section hoop with stud beneath, heater-shaped panel to each shoulders, scaphoid plaque with two lines of text separated by a median bar. 10.78 grams, 25.16 mm overall, 19.26 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.