Home > Auctions > 3 - 11 June 2025
Ancient Art, Antiquities, Books, Natural History & Coins
.jpg "Etruscan Impasto Spiral Amphora")
Comprising a bulbous body and a short neck with everted rim, two strap handles with incised striations continuing in an inverted V-shape beneath the handles; on each side of the body a large double spiral flanked by five curving lines, a stylised bird above. 343 grams, 16.5 cm
Ex Fortuna, Gallery for Ancient Art (Zurich, Kirchgasse 31) Basel, 7 April 1984.
Private collection, Bern, Switzerland.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Jucker, I., Israel Museum catalogue, Jerusalem, 1991, nos.219-223, for similar vase shapes and decoration.
With the arrival of the Greeks (775 B.C. at Pithekoussai, 750 B.C. at Cumae), a clear technical advancement in ceramic production was observed: impasto vessels began to show more varied patterns, were fired at higher temperatures, and were eventually replaced by wheel-made pottery in the Greek style. Despite growing populations, there remained a significant demand for this more 'old-fashioned' yet technically refined pottery. Note on the term impasto (Italian): in painting, it refers to the thick application of paint (a textured, paste-like technique). In ceramics, it refers to a thick layer of slip (a watered suspension of purified clay) applied before firing, which results in a homogenous, matte-glossy surface after firing.
Ex Fortuna, Gallery for Ancient Art (Zurich, Kirchgasse 31) Basel, 7 April 1984.
Private collection, Bern, Switzerland.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Jucker, I., Israel Museum catalogue, Jerusalem, 1991, nos.219-223, for similar vase shapes and decoration.
With the arrival of the Greeks (775 B.C. at Pithekoussai, 750 B.C. at Cumae), a clear technical advancement in ceramic production was observed: impasto vessels began to show more varied patterns, were fired at higher temperatures, and were eventually replaced by wheel-made pottery in the Greek style. Despite growing populations, there remained a significant demand for this more 'old-fashioned' yet technically refined pottery. Note on the term impasto (Italian): in painting, it refers to the thick application of paint (a textured, paste-like technique). In ceramics, it refers to a thick layer of slip (a watered suspension of purified clay) applied before firing, which results in a homogenous, matte-glossy surface after firing.
Sold for (Inc. bp): £2,470
Hollow-formed horse figure with spout to the chest and filler hole beneath the chest; painted saddle and bridle detailing. 1.61 kg, 27 cm
Ex Zackary, Los Angeles, USA, 1960s.
with Christie's, 13 October 2008, no.156.
Accompanied by a copy of a thermoluminescence analysis report and photograph by Oxford Authentication with sample no.108u46.
Accompanied by copies of the relevant Christie's catalogue pages.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12655-235194.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex Zackary, Los Angeles, USA, 1960s.
with Christie's, 13 October 2008, no.156.
Accompanied by a copy of a thermoluminescence analysis report and photograph by Oxford Authentication with sample no.108u46.
Accompanied by copies of the relevant Christie's catalogue pages.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12655-235194.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
.jpg "Cypriot Terracotta Bull Rhyton")
Modelled in the round with bands of hatched texture to the back, rump and horns, pierced lug muzzle, incised detailing. 501 grams, 17 cm long
UK private collection, 1994.
European private collection.
Accompanied by a thermoluminescence analysis report no.N125e38 from Oxford Authentication.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12656-234662.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hornbostel, W. and Mitarbeiter, Kunst de Antique, Schatz aus Noddeutschem Privatbesitz, exhibition catalogue, Hamburg, 1977, no.188.
UK private collection, 1994.
European private collection.
Accompanied by a thermoluminescence analysis report no.N125e38 from Oxford Authentication.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12656-234662.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hornbostel, W. and Mitarbeiter, Kunst de Antique, Schatz aus Noddeutschem Privatbesitz, exhibition catalogue, Hamburg, 1977, no.188.
Sold for (Inc. bp): £1,365
In static stance with forelegs straight and head erect, rider gripping the neck, painted detailing to mane and body; mounted on a custom-made stand. 117 grams, 11.5 cm (268 grams total, 14 cm high including stand)
Acquired from Spink, London, UK, 30 June 1956.
Ex private collection.
with Sotheby's, New Bond Street, London, 8 December 1994, no.184.
Accompanied by copies of the relevant Sotheby's catalogue pages.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Exhibited and published: "Ancient Life in Miniature, an Exhibition of Classical Terracotta's from Private Collections in England", Felicity Nicholson, Birmingham Museum and Art Gallery, 12th October-30 November 1968, p.22, no.63.
Acquired from Spink, London, UK, 30 June 1956.
Ex private collection.
with Sotheby's, New Bond Street, London, 8 December 1994, no.184.
Accompanied by copies of the relevant Sotheby's catalogue pages.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Exhibited and published: "Ancient Life in Miniature, an Exhibition of Classical Terracotta's from Private Collections in England", Felicity Nicholson, Birmingham Museum and Art Gallery, 12th October-30 November 1968, p.22, no.63.
Sold for (Inc. bp): £11,700
With rosette in the gable, a basket filled with wool and a garland above it; inscription in Greek reading: 'ΥΓΕΙΑ ΑΛΥΠΕ ΧΑΙΡΕ (HEGHIA ALYPE CHAERE' (Long life [or health], free from sorrow, farewell!). 88 kg, 70.5 cm
Ex Schloss Solitude, Stuttgart, Germany, during the 19th century.
with Galerie Rhéa, Zurich, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12657-236384.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Wagner, J., Seleukia am Euphrat/Zeugma, Wiesbaden, 1976.
This type of stele is comparatively rare, and highly gendered: it is intended to represent a woman when decorated with a basket of wool, and for a man when decorated with an eagle. They are typical of the Zeugma area of the Euphrates river in ancient Seleukia.
Ex Schloss Solitude, Stuttgart, Germany, during the 19th century.
with Galerie Rhéa, Zurich, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12657-236384.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Wagner, J., Seleukia am Euphrat/Zeugma, Wiesbaden, 1976.
This type of stele is comparatively rare, and highly gendered: it is intended to represent a woman when decorated with a basket of wool, and for a man when decorated with an eagle. They are typical of the Zeugma area of the Euphrates river in ancient Seleukia.
Carved in the round with flat angled panel to upper and rear of head; stern female features with deep-set eyes and small pursed lips; centre-parted hair dressed in a chignon; each earlobe drilled to accept an earring; some restoration; mounted on a custom-made stand. 20.15 kg total, 51.5 cm including stand
with Sakae Art Gallery, Japan.
Acquired by the present owner from the above June 1981.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12658-235196.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
with Sakae Art Gallery, Japan.
Acquired by the present owner from the above June 1981.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12658-235196.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Carved in the round with carinated diadem in the hair, heavily lidded eyes, small mouth with pursed lips. 620 grams, 95 mm
Acquired in the mid 1980s-1990s.
From the family collection of Mr S.A., Switzerland, thence by descent.
Private collection since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12102-218191.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Beutler, F. et al., Der Adler Roms. Carnuntum und der Armee der Cäsaren, Bad-Deutsch Altenberg, 2017, item 69, for type.
Acquired in the mid 1980s-1990s.
From the family collection of Mr S.A., Switzerland, thence by descent.
Private collection since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12102-218191.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Beutler, F. et al., Der Adler Roms. Carnuntum und der Armee der Cäsaren, Bad-Deutsch Altenberg, 2017, item 69, for type.
.jpg "Greek Silver Ring for Skythos")
Ellipsoid bezel with incuse figure of a running horse, Greek text 'ΣΚΥΘΟΑΓΑΘΗ' for 'the sake of Skythos'. 7.57 grams, 25.17 mm overall, 20.68 mm internal diameter (approximate size British R 1/2, USA 8 3/4, Europe 19.38, Japan 18)
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Marshall, F. M., Catalogue of the Finger Rings Greek, Etruscan and Roman in the Departments of Antiquities of the British Museum, London, 1907 (1968), fig. CX, no.43, for the type.
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Marshall, F. M., Catalogue of the Finger Rings Greek, Etruscan and Roman in the Departments of Antiquities of the British Museum, London, 1907 (1968), fig. CX, no.43, for the type.
Sold for (Inc. bp): £4,680
With round-section hoop and scaphoid plaque, incuse advancing lion in profile on a baseline. 16.12 grams, 30.64 mm overall, 19.55 x 22.66 mm internal diameter (approximate size British V 1/2, USA 10 3/4, Europe 24.4, Japan 23)
with Artemis Gallery, Munich, 1990s.
Acquired from Artemis Gallery, 8 February 2006.
European private collection.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12659-234646.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
with Artemis Gallery, Munich, 1990s.
Acquired from Artemis Gallery, 8 February 2006.
European private collection.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12659-234646.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sold for (Inc. bp): £1,820
Hollow-formed tapering shank with rotating cell containing a scarab with hieroglyphs to the underside. 24.8 grams, 57.6 mm
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12660-234644.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12660-234644.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Formed of twisted rods, each square in section, tapering towards the hammered finials, each with an onion-knop terminal. 157 grams, 15 cm
with Christie's, New York, 5 June 1998, no.209.
Private collection, Europe.
Accompanied by an academic report by Dr Raffaele D'Amato.
Accompanied by copies of the relevant Christie's catalogue pages.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12381-226710.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Hoddinott, R.F., The Thracians, London, 1981; Marazov, I. (ed.), Ancient Gold: The Wealth of the Thracians. Treasures from the Republic of Bulgaria, New York, 1997.
with Christie's, New York, 5 June 1998, no.209.
Private collection, Europe.
Accompanied by an academic report by Dr Raffaele D'Amato.
Accompanied by copies of the relevant Christie's catalogue pages.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12381-226710.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Hoddinott, R.F., The Thracians, London, 1981; Marazov, I. (ed.), Ancient Gold: The Wealth of the Thracians. Treasures from the Republic of Bulgaria, New York, 1997.
A heavy hemispherical vessel with simulated braid beneath the rim and Hercules' knot; the body with lotus-flower ornament. 508 grams, 10.9 cm
Acquired before 1983.
Ex London gallery, 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12661-236259.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Pfrommer, M., Metalwork from the Hellenized East: Catalogue of the Collections of the J. Paul Getty Museum, Malibu, 1993, pp.21ff and 140ff, for general discussion and parallels.
Acquired before 1983.
Ex London gallery, 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12661-236259.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Pfrommer, M., Metalwork from the Hellenized East: Catalogue of the Collections of the J. Paul Getty Museum, Malibu, 1993, pp.21ff and 140ff, for general discussion and parallels.
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37 - 48 of 3130 LOTS
37 - 48 of 3130 LOTS
