Rectangular-section penannular body with bands of ribbing and punched pellets, the finials fashioned as stylised beast heads. 27.9 grams, 67 mm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Provincial columnar fragment with inscription in rustic capitals: 'GENI / FAVORIS /IHEDONE / I CARISSIMO / FECIT' [With the favour of the Genius Hedone made it for the dearest]; traces of red pigment. 1.81 kg, 12 cm



Private collection, 2005. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The dedicatory inscription seems to refer to a funerary monument erected by a certain Hedone for a loved one (probably her husband). It is a late inscription which justifies the use of the genitive and not the ablative for GENI FAVORIS (instead of GENII FAVORE). Hedone is a Greek name which, however, occurs in Italic sepulchral inscriptions.

With a D-section hoop and octagonal bezel with a fylfot within a quatrefoil. 4.32 grams, 22.84 mm overall, 17.44 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Of kraftig profilierte type with tapering bow with scooped sides, collar to the bow and spur beneath, swept forward edge to the foot with knop finial; spring and pin to reverse. 16 grams, 47 mm



From the private collection of John Fox, Nottingham, Nottinghamshire, UK, antiquarian and archaeologist; his collection assembled in the 1950s-1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising a slender hoop and balustered shoulders, raised discoid bezel with a hippocampus within a pelletted border. 5.41 grams, 24.65 mm overall, 19.90 mm internal diameter (approximate size British S, USA 9, Europe 20, Japan 19)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Of various sizes, each with finials scrolled in line with the shank. 8.81 grams total, 17-27 mm



From a private, UK, collection in the 1980s. Property of a London, UK, antiquarian. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled in the round as a standing eagle with its wings spread, the overlapping wingtips covering the short tail; incised feather detailing to the body and wings, wide head with detailed eyes, remains of a military insignia (a victory wreath or fish?) held in its hooked beak; mounted on a custom-made display stand. 180 grams total, 76 mm high including stand



Found Kempsey, Malvern Hills, Worcestershire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.WAW-19C7C8. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Both Ovid and Plutarch place the inception of manipular ensigns with Romulus, where bundles (manipuli) of hay were tied to high poles which served as rallying points for units of the army. Eventually, icons of animals replaced these ensigns: the eagle, wolf, Minotaur, horse, and boar. In 107 B.C., Gaius Marius made sweeping military reforms and the Aquila became the sole standard of the legion, which according to (Pliny NH. 10.5.16) ‘By making the Aquila the standard for all legions improved unity and gave soldiers a symbol that expressed their attachment to an all-encompassing body, to which the soldiers’ loyalty could be directed’. Due to its place at the head of each legion, it became the emblem of the Roman legions, which enforced Roman rule in the provinces, giving the eagle its connotation of dominion.

Carved standing on a plinth with its head turned to the right, wings folded. 987 grams, 13 cm high



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Graduated string of mainly oblate beads, restrung to a Y-shape. 12.2 grams, 37 cm



Ex London, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In dark red glass with anatomical detailing, large suspension loop to the rear. 3.52 grams, 31 mm



with Sasu Boscher Encheres, 8 August 2022, no.228. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With dimple base, broad body and carinated rim. 1.19 kg, 22 cm wide



Acquired in the 1990s. Ex Abelita family collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Terracotta disc with Diocletian (284-305 A.D.) coin impression to each face from which to cast counterfeit coins. 5.3 grams, 27 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.