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Ancient Art, Antiquities, Books, Natural History & Coins
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
with Galerie Rhéa, Zurich, Switzerland.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired in the 19th century.
Ex Jeger collection, Switzerland.
UK gallery, early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hakanen, V., 'VI Wall Plaster Fragments' in Berg, R., Kuivalainen, I., Domus Pompeiana M. Lucretii, IX,3, 5.24, The inscriptions, Works of Art and Finds from the Old and New Excavations, Vantaa, 2019, pp.196-224, figs.3-4.
These small fragments, for analogies with the fragments of Pompeii, seem to belong to the second style of Roman painting, red panels representing highlight and shadow, decorated with vegetal interlaces. Some panels were probably framed by a red grenade fillet. A fragment shows alternate blue and red colour over a cream background, maybe pertinent to a socle.
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
For similar tesserae see Gabucci, A., Pejrani Baricco, L., Ratto, S., Per il Museo di Ivrea, La sezione archeologica del Museo Civico P.A. Garda, Sesto Fiorentino, 2014, cover, mosaic from a Domus of Eporedia.
Roman mosaics were made from small cubes of natural stone and terracotta possibly cut from tile or brick. Each of these small cubes was called a tessera (several tesserae) from the Latin word for dice.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex London, UK, collection, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex collection of a late London gentleman, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired in the 19th century.
Ex Jeger collection, Switzerland.
UK gallery, early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Hakanen, V., 'VI Wall Plaster Fragments' in Berg, R., Kuivalainen, I., Domus Pompeiana M. Lucretii, IX,3, 5.24, The inscriptions, Works of Art and Finds from the Old and New Excavations, Vantaa, 2019, pp.196-224, figs.3-4.
These small fragments, for analogies with the fragments of Pompeii, seem to belong to the second style of Roman painting, red panels representing highlight and shadow, decorated with vegetal interlaces. Some panels were probably framed by a red grenade fillet. A fragment shows alternate blue and red colour over a cream background, maybe pertinent to a socle.
Ex German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Ex London, UK, collection, 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired prior to 1971.
Ex Fridolin (1903-1969) and Halina (1907-1989) Schwitter-Lagutt collection, Basel, Switzerland.
with Christie's, London, UK, sale 21014, no.115 (part).
Accompanied by a copy of the Christie's listing and invoice.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Metropolitan Museum of Art, accession no. 1983.571.9, for a cup of similar shape; for the musical instruments see Museum of Ancient, Byzantine and Post-Byzantine Musical Instruments, Museum Exhibits, Thessaloniki, 1997, pp.33ff., 48ff., 77ff.
Exhibited: On loan to the Antikenmuseum, Basel, Switzerland, 1971-2022.
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