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Ancient Art, Antiquities, Books, Natural History & Coins

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Modelled as a resting duck with its neck curved around the upper body, feather detailing on the wings, tail, and body, and delicately formed head; the underside features a baboon in a posture of adoration before an obelisk, wearing a lunar disc and crescent headdress, with a neb sign below. 2.82 grams, 19 mm

From the property of a London, UK, gentleman, 1970-2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, p. 53 fig. 54d, for a similar duck scaraboid; Matouk, F.S., Corpus du scarabée égyptien. Vol. 2: Analyse thématique, Beirut, 1976, p. 388, nos. 814-815, for similar-themed scarabs.

Baboons were observed worshipping the rising sun with raised arms, a behaviour that Egyptians interpreted as divine reverence. The scarab's imagery symbolises cosmic harmony and sacred wisdom, with the baboon (a manifestation of Thoth in his lunar aspect) showing reverence to an obelisk (a symbol of the solar god, Ra). Thus, it blends moon and sun symbolism, embodying balance, cyclical renewal, divine order, and the interplay between knowledge (Thoth) and power (Ra). The neb sign indicates lordship or possession over all the celestial forces.
Lot No. 0493
12
Sold for (Inc. bp): £85
With incised line detailing to the body, pierced longitudinally for suspension. 0.33 grams, 11 mm

Ex London and Home Counties collection, UK, 1920-1940.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, p.62.

Fly amulets are first attested during the Predynastic period (pre 3,100 BC). It is possible that they represented a wish to emulate the fly's renowned fecundity. These amulets were made in a variety of materials, including gold, and golden flies were used in the New Kingdom as an honorific award for military valour. No fewer than thirty-three fly amulets came from the tomb of the wives of Tuthmoses III.
With plain body and three lines of characters including a scarab to the underside. 3.5 grams, 13 mm

Ex London, UK, gentleman, 1990.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Lot No. 0495
24
Sold for (Inc. bp): £195
Carved with simple body and eye detailing and polished; drilled through the eyes for suspension. 0.32 grams, 12 mm

Ex North London, UK, gallery, early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, pp.62-3.

Egyptian artists often depicted fly whisks with pharaohs and officials, suggesting flies were just nuisances. In reality, Egyptians valued flies for their speed and persistence. Small fly amulets appeared around 3200 B.C. in Naqada II burials, gaining popularity and varying materials during the New Kingdom, including gold, silver, lapis lazuli, carnelian, amethyst, faience, and gemstones. These amulets were thought to protect against insect bites and troublesome creatures via apotropaic magic and possibly symbolised fecundity. Pharaohs awarded gold fly-shaped pendants to honour soldiers' bravery in battle.
Group of cylindrical and discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. 48.8 grams total, 12-20 mm

From a central London ADA dealership, 1980-1990.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.
Rectangular panel of woven fabric with borders of discs each with a lion passant, midian band with standing human figures and regardant beasts between; mounted in a glazed frame. 577 grams total, 30.5 x 23 cm

Acquired in the late 1980s-early 1990s.
Private collection, London.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising five mummiform figures in different colours, each with a false beard and wearing a lappet wig. 54 grams total, 46-91 mm

Acquired on the UK art market before 2000.
Property of an Essex, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Petrie, W.M.F., Shabtis, London, 1935, pl. XLV, nos. 615, 645, and 649, for comparable examples.

Shabti figures were created to perform heavy manual tasks on behalf of a person in the afterlife. The body of a shabti typically resembled a mummy from the neck down and was often depicted holding tools such as baskets, mattocks, and hoes. Over time, the number of shabtis in a standard elite burial increased, so that from the Third Intermediate Period onward, it became common to have at least 401 figurines, comprising 365 workers, one for each day of the year, plus 36 overseers, one for every ten workers.
Lot No. 0500
7
Sold for (Inc. bp): £286
Miniature ewer with tapering spout to the shoulder, flared neck and rounded rim with applied loop handle; painted decorative bands. 51 grams, 88 mm

Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Lot No. 0502
6
Sold for (Inc. bp): £390
A squat vessel with a small base, raised neck and slightly projecting rim, carinated shoulder with two projecting bosses and a pair of high strap handles. 221 grams, 13.4 cm wide

Old Basel private collection.
Elsa Bloch-Diener, Antike Kunst, Bern, 27 July 1990.
Private collection, Bern, Switzerland.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled with squat body and raised openwork handle with two projecting lobes to the top, the body with three raised bosses on the shoulder and the base with raised petals radiating from the low foot. 208 grams, 13.3 cm wide

Ulrike Feuz-Lauprecht, NIKE Kunst der Antike, Bremgarten 9 April 1991.
Private collection, Bern, Switzerland.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Lot No. 0505
14
Sold for (Inc. bp): £98
Comprising two sheet-gold repoussé mounts depicting eight-petalled flowers, two pairs of piercings to the outer edge. 0.21 grams total, 9-10 mm

Ex property of a late Japanese collector, 1970-2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Lot No. 0506
13
Sold for (Inc. bp): £124
Composed of a hollow-form spherical body with long wings beneath forming the calyx. 0.22 grams, 9 mm

Ex property of a late Japanese collector, 1970-2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

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