Home > Auctions > 3 - 11 June 2025
Ancient Art, Antiquities, Books, Natural History & Coins
With detailed clypeus and head, raised ridge separating the wing case, resting on an oval base with plain underside. 10.1 grams, 27 mm
From the property of a London, UK, gentleman, 1970-2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The scarab, which represented the dung beetle, was the most popular amulet in ancient Egypt for approximately two thousand years until the Ptolemaic Period when it gradually fell out of favour. The popularity of scarabs extended beyond the borders of Egypt, and they were also distributed and produced in other regions, such as Phoenicia and Israel. The beetle is named khepri, derived from the verb 'to come into existence', and was considered the embodiment of the creator god Khepri, who was self-engendered. The ancient Egyptians mistakenly believed that the young beetle emerging from the dung ball was the result of an act of self-creation.
From the property of a London, UK, gentleman, 1970-2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The scarab, which represented the dung beetle, was the most popular amulet in ancient Egypt for approximately two thousand years until the Ptolemaic Period when it gradually fell out of favour. The popularity of scarabs extended beyond the borders of Egypt, and they were also distributed and produced in other regions, such as Phoenicia and Israel. The beetle is named khepri, derived from the verb 'to come into existence', and was considered the embodiment of the creator god Khepri, who was self-engendered. The ancient Egyptians mistakenly believed that the young beetle emerging from the dung ball was the result of an act of self-creation.
Sold for (Inc. bp): £715
Composed mainly of oblate and spherical beads, four poppy seed pendants, and a larger djed pillar pendant; restrung with a modern clasp. 12.68 grams, 43.5 cm
From an Israeli collection, formerly with the Archaeological Centre in Jaffa.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Lacovara, P., and Markowitz, Y.J., Jewels of the Nile: Ancient Egyptian Treasures from the Worcester Art Museum, Worcester MA, 2020, pp. 144-145, for a carnelian bead necklace with similar poppy beads.
The djed pillar symbolises endurance and stability. Used as a funerary amulet since the Old Kingdom, it was first linked to Ptah and Sokar, later becoming associated with Osiris as his backbone. Chapter 155 of the Book of the Dead references it in the context of resurrection. Beads in the form of poppies were used to heal and alleviate pain and to ward off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife.
From an Israeli collection, formerly with the Archaeological Centre in Jaffa.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Lacovara, P., and Markowitz, Y.J., Jewels of the Nile: Ancient Egyptian Treasures from the Worcester Art Museum, Worcester MA, 2020, pp. 144-145, for a carnelian bead necklace with similar poppy beads.
The djed pillar symbolises endurance and stability. Used as a funerary amulet since the Old Kingdom, it was first linked to Ptah and Sokar, later becoming associated with Osiris as his backbone. Chapter 155 of the Book of the Dead references it in the context of resurrection. Beads in the form of poppies were used to heal and alleviate pain and to ward off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife.
Depicting a rearing hooded cobra with curled body, small loop above and below. 1.1 grams, 17 mm
From an early 20th century French collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From an early 20th century French collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sold for (Inc. bp): £286
Housed in five linen-covered boxes, covering Tutankhamun furniture, Tombs of the Nobles, Lahun Hawara, Philae, and Nubia, etc. 4.1 kg total, 26.5 x 16.5 x 6.5 cm each box
Property of archaeologist Stephanie Gee, N.W. London, UK, 1960s-1980s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Stephanie Gee was a prominent archaeologist who took part in several expeditions in Egypt. She was a trusted assistant to the British-Australian archaeologist Veronica Seton-Williams, who excavated in Egypt, Britain, and the Near East. Stephanie also took part in the Tell El-Farâ'în expeditions of 1965-1968, and assisted Seton-Williams with preparing the 1966 expedition report. Their collaboration continued and Stephanie helped with the manuscript of Seton-Williams’ book ‘The Road to El-Aguzein’, a narrative account of her life that was first published in 1988.
Property of archaeologist Stephanie Gee, N.W. London, UK, 1960s-1980s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Stephanie Gee was a prominent archaeologist who took part in several expeditions in Egypt. She was a trusted assistant to the British-Australian archaeologist Veronica Seton-Williams, who excavated in Egypt, Britain, and the Near East. Stephanie also took part in the Tell El-Farâ'în expeditions of 1965-1968, and assisted Seton-Williams with preparing the 1966 expedition report. Their collaboration continued and Stephanie helped with the manuscript of Seton-Williams’ book ‘The Road to El-Aguzein’, a narrative account of her life that was first published in 1988.
With an ovoid body and two small lug handles to the upper body. 121 grams, 72 mm
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Aston, B.G., Ancient Egyptian Stone Vessels, Heidelberg, 1994, nos.218-219, pp.162-163.
The name by which we know the vessel in question comes directly from its name in Greek— alábastron —which itself was derived from Egyptian, although It is difficult to say whether the name in Egyptian first applied to the type of vessel or to the stone used to make it. Pliny (NH 36.12, 37.54) includes an alabastrites or alabastritis from Alabastrum near Thebes in Egypt among his description of stones, and Theophrastus (On Stones, 1.6) an alabastrítes, also from near Thebes. Ptolemy (Geography, 4.5) even mentions an alabastrites mons, a mountain of alabaster, in the same vicinity. The prototype of the alabastron shape with two lug handles first appeared in Egypt at the end of the Middle Kingdom and continued in use with slight variations through New Kingdom times. After an apparent hiatus in the use of the shape at the end of the Late Bronze Age, it appeared again in the second half of the eighth century in a form more similar to our specimen and became common by the 26th Dynasty.
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Aston, B.G., Ancient Egyptian Stone Vessels, Heidelberg, 1994, nos.218-219, pp.162-163.
The name by which we know the vessel in question comes directly from its name in Greek— alábastron —which itself was derived from Egyptian, although It is difficult to say whether the name in Egyptian first applied to the type of vessel or to the stone used to make it. Pliny (NH 36.12, 37.54) includes an alabastrites or alabastritis from Alabastrum near Thebes in Egypt among his description of stones, and Theophrastus (On Stones, 1.6) an alabastrítes, also from near Thebes. Ptolemy (Geography, 4.5) even mentions an alabastrites mons, a mountain of alabaster, in the same vicinity. The prototype of the alabastron shape with two lug handles first appeared in Egypt at the end of the Middle Kingdom and continued in use with slight variations through New Kingdom times. After an apparent hiatus in the use of the shape at the end of the Late Bronze Age, it appeared again in the second half of the eighth century in a form more similar to our specimen and became common by the 26th Dynasty.
Sold for (Inc. bp): £211
Blue-glazed faience scarab beetle with detailed features; the underside is decorated with a recumbent jackal above a seated figure in an attitude of praise before two hieroglyphs, along with a slim neb sign below. 4.18 grams, 23 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sold for (Inc. bp): £468
Modelled seated on a tongue-shaped base, suspension loop on the back. 0.53 grams, 8 mm
From an early 20th century French collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, item 29(c).
The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.
From an early 20th century French collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, item 29(c).
The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.
.jpg "Egyptian Faience Amuletic Pendant")
Formed as a broad collar with a Horus head finial supported by two cobra heads. 0.92 grams, 14 mm
Ex early 20th century collection, London, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, pp.96-97, for a discussion of this amulet type.
Ex early 20th century collection, London, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, pp.96-97, for a discussion of this amulet type.
Sold for (Inc. bp): £117
Four-stranded designer necklace composed of beads of mainly annular and tubular types. 24 grams, 80 cm long
Acquired before 1979.
From the private collection of Mr F.A., South Kensington, London, UK; thence by descent 2014.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. similar specimens in faience at the Worcester Art Museum, inventory no.1925.539.
For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.
Acquired before 1979.
From the private collection of Mr F.A., South Kensington, London, UK; thence by descent 2014.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. similar specimens in faience at the Worcester Art Museum, inventory no.1925.539.
For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.
Sold for (Inc. bp): £1,300
Finely carved tyet amulet with incised internal detailing and ribbed suspension loop at the top. 38.9 grams, 81 mm
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Reisner, G.A., Catalogue général des antiquités égyptiennes du Musée du Caire, Nos.5218-6000 et 12001-12527, Vol. I, Amulets, Cairo, 1907, pl.VII (CG12036), for an amulet of similar styling.
The tyet amulet was associated with the goddess Isis and was often referred to as the 'knot' or 'girdle' of Isis. Some believe that it represents a bandage used to absorb menstrual blood. It was commonly placed within the mummy wrappings on the upper torso of the deceased, with the belief that it would invoke Isis' protection and safeguard the body, thus ensuring their rebirth in the afterlife.
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Reisner, G.A., Catalogue général des antiquités égyptiennes du Musée du Caire, Nos.5218-6000 et 12001-12527, Vol. I, Amulets, Cairo, 1907, pl.VII (CG12036), for an amulet of similar styling.
The tyet amulet was associated with the goddess Isis and was often referred to as the 'knot' or 'girdle' of Isis. Some believe that it represents a bandage used to absorb menstrual blood. It was commonly placed within the mummy wrappings on the upper torso of the deceased, with the belief that it would invoke Isis' protection and safeguard the body, thus ensuring their rebirth in the afterlife.
Sold for (Inc. bp): £195
Comprising a squat piriform body with a wide everted rim, a band of later hieroglyphs beneath the shoulder: ḳmꜢ.t n bꜢw ı͗wnw nfrw.s (You have gathered the souls (i.e. divine powers) of Heliopolis—her beauties). 208 grams, 55 mm high
Ex late London, UK, gentleman, 1970s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Vandier d’Abbadie, J., Les objets de toilette égyptiens au Musée du Louvre, Paris, 1972, pp. 84-85, no. 316, for a similar vessel.
The inscription on what is a cosmetic vessel could be interpreted as “You acquire the powers of Heliopolis, source of her beauty”; “her beauties” likely references either the woman using the vessel or perhaps the divine beauty imparted by the contents.
Ex late London, UK, gentleman, 1970s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Vandier d’Abbadie, J., Les objets de toilette égyptiens au Musée du Louvre, Paris, 1972, pp. 84-85, no. 316, for a similar vessel.
The inscription on what is a cosmetic vessel could be interpreted as “You acquire the powers of Heliopolis, source of her beauty”; “her beauties” likely references either the woman using the vessel or perhaps the divine beauty imparted by the contents.
Sold for (Inc. bp): £975
D-shaped mask representing the human-headed Hathor with cow ears and a short beard, a ribbed suspension loop above. 0.7 grams, 11 mm
From an early 20th century collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From an early 20th century collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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277 - 288 of 3130 LOTS
277 - 288 of 3130 LOTS
