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Ancient Art, Antiquities, Books, Natural History & Coins
Condition as seen. Casting mould sharing two reverse types.
From the collection of a gentleman, acquired on the London art market in the 1990s.
With an impression of the obverse on one side, and the reverse on the other, of the coin being counterfeited this ancient forger's casting mould would have been stacked with others, the molten metal being poured from above and allowed to cool.
Condition as seen. Casting mould sharing types of different rulers.
From the collection of a gentleman, acquired on the London art market in the 1990s.
With an impression of the obverse on one side, and the reverse on the other, of the coin being counterfeited this ancient forger's casting mould would have been stacked with others, the molten metal being poured from above and allowed to cool.
Condition as seen. Casting mould sharing types of different rulers.
From the collection of a gentleman, acquired on the London art market in the 1990s.
With an impression of the obverse on one side, and the reverse on the other, of the coin being counterfeited this ancient forger's casting mould would have been stacked with others, the molten metal being poured from above and allowed to cool.
Condition as seen.
From the collection of a gentleman, acquired on the London art market in the 1990s.
With an impression of the obverse on one side, and the reverse on the other, of the coin being counterfeited this ancient forger's casting mould would have been stacked with others, the molten metal being poured from above and allowed to cool.
Condition as seen. Casting mould sharing types of different rulers.
From the collection of a gentleman, acquired on the London art market in the 1990s.
With an impression of the obverse on one side, and the reverse on the other, of the coin being counterfeited this ancient forger's casting mould would have been stacked with others, the molten metal being poured from above and allowed to cool.
Condition as seen.
From the collection of a gentleman, acquired on the London art market in the 1990s.
With an impression of the obverse on one side, and the reverse on the other, of the coin being counterfeited this ancient forger's casting mould would have been stacked with others, the molten metal being poured from above and allowed to cool.
Good Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s.
Good Fine.
Private collection, acquired 1980-1985.
Although the most noticeable of the bronze coins used in Italy under the Ostrogoths are the countermarked asses and other earlier types, in fact these did not make up the bulk of the copper coinage in circulation at that time. Under Odovacar and the Ostrogoths the Roman Senate enjoyed a brief Indian summer of power; amongst its activities was a revival of the ancient Senatorial privilege of minting in bronze which, after a very brief issue in the name of Zeno, then consisted of types purely Roman in character making no reference to either imperial or royal authority. This revived Senatorial coinage features the helmeted bust of Roma along with the ironic obverse inscription INVICTA ROMA, and recalls the ancient silver coins of the Republic. Coming to an end in AD 535/6, when it was briefly replaced by the portrait coins of Theodahad, after the occupation of Rome by the forces of Belisarius it was in turn replaced by a regular 'Byzantine' imperial coinage in the name of Justinian in 537. When Rome again fell under Ostrogothic control and the mint was reopened in 549, the coinage issued was purely royal and Ostrogothic in character, and so this series may therefore be rightfully described as the final issue of coinage struck by the ancient Romans in their own name.
Near Very Fine.
From the collection of a gentleman, acquired on the London art market in the 1990s.
Very Fine.
UK private collection before 2000. Acquired on the UK art market. Private collection, London.
Good Very Fine. Toned.
Ex Baldwins, London, UK, 1970s.
Good Very Fine. Toned.
Ex Baldwins, London, UK, 1970s.
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