With fine detailing to the clypeus, head and legs; underside with cartouche for Thutmose III flanked by winged scarabs. 7.42 grams, 25 mm

From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Tinius, I., Altägypten in Braunschweig. Die Sammlungen des Herzog Anton Ulrich-Museums und des Städtischen Museums, Wiesbaden, 2011, p. 182, no. 367, for a scarab featuring Thutmose III's cartouche flanked by rearing cobras.

Wearing a broad collar and a stylised scarab on top of the head, elongated arms resting on the lower part of his protruding abdomen. 10.8 grams, 43 mm

Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, p.39, pl.36b, for a similar example.

Herodotus mentions Pataikos as a dwarf-like representation of Ptah, although the ancient Egyptian name of the god remains unclear. These diminutive amulets symbolise Ptah’s immense magical power, which served to protect the wearer from dangerous creatures such as snakes and crocodiles. The role of the deity in the funerary sphere is explained in Spell 164 of the Book of the Dead, where a Pataikos is used to protect the deceased's heart from enemy attacks and the putrefaction of the body.

Comprising (from left to right and top to bottom): 1) a scarab with an oval border containing, on either side, a maat feather, rearing cobra, and Dual Crown flanking a central column composed of ‘r’–‘n’–‘r’- sa (x2)-ka-neb signs; 2) a scarab with an oval border containing the throne name of pharaoh Amenhotep III (Neb-Maat-Re); 3) a scarab with an oval border containing a seated deity holding an ankh sign, facing sa, water, and neb signs; 4) a scarab with an oval border containing a running ibex surrounded by foliage; 5) a scarab with partially preserved design that gives the throne name of pharaoh Akhenaten (Nefer-kheperu-Re); 6) a scarab with an oval border containing a viper, duck and nefer signs. 19.5 grams total, 14-23 mm

From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. 1) Ben-Tor, D., Scarabs, Chronology, and Interconnections: Egypt and Palestine in the Second Intermediate Period, Fribourg/Göttingen, 2007, pl. 56, no. 44, for a design incorporating the same three-sign border motif and a central sign group column; 2) Petrie, W.M.F., Scarabs and Cylinders with Names, London, 1917, pl. XXXIV, nos. 87-88, for the same design; 3) Newberry, P.E., Catalogue général des antiquités égyptiennes du Musée du Caire N° 36001-37521, Scarab-shaped Seals, Cairo, 1907, pl. XIV, no. 36571, for a motif using a horizontal sa sign; 4) Matouk, F.S., Corpus du scarabée égyptien. Vol. 2: Analyse thématique, Beirut, 1976, p. 387, no. 711, for a similar motif; 5) Petrie, W.M.F., Scarabs and Cylinders with Names, London, 1917, pl. XXXVI, no. 25, for comparable arrangement of signs making the name; 6) Newberry, P.E., Catalogue général des antiquités égyptiennes du Musée du Caire N° 36001-37521, Scarab-shaped Seals, Cairo, 1907, pl. VIII, no. 36426, for a similar design theme.

Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif; some fragmentary. 49 grams total, 6-17 mm

From a central London ADA dealership, 1980-1990.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.

Comprising: a scarab with anatomical detailing to the carapace, underside with a crocodile and two quadrupeds; a rectangular Eye of Horus amulet with domed upper face. 3.04 grams total, 14-16 mm

Norfolk family collection, 1940s-1960s; thence by descent.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The S-curved body resting on a tongue-shaped based, detailed hood, and delicate details to the head of a lioness; wrapped in a gold frame with suspension loop. 2 grams, 18 mm

Private collection of Mr K.A.
Private collection, Europe, 26 June 2009.

This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12590-232325.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Reisner, G.A., Catalogue général des antiquités égyptiennes du Musée du Caire, Nos.12528-13595, Vol. II, Amulets, Cairo, 1958, p.115, (no. CG13434) and pl.XVII, for a similar example in opaque red glass.

This amulet likely represents a goddess, either Sekhmet or Wadjet. Sekhmet is typically depicted as a lioness or lion-headed woman, while Wadjet appears in the form of a cobra. The lion-headed cobra form can be an allusion to the uraeus, worn on the crowns of royalty and deities for protection.

Including floral, poppy seed, uraeus, an eye bead, a bull with solar disc, a standing deity holding a sceptre, and other types; mounted on cardboard backing with collector's label 'A.94.'. 24 grams total, 11.4 x 8.4 cm

From the private collection of Walter Thomas Gaze Cooper (1895-1980).
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Carved with deep sides and carapace detailing to the upper face, pierced. 19.82 grams, 33 mm

From the private collection of the late Mrs Belinda Ellison, a long time member of the Egyptian Exploration Society, c.1940-2020.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Comprising fourteen polychrome fragments displaying vibrant colours and patterns, two with a rounded lip. 58 grams total, 15-71 mm

Ex Gallery Mikazuki before 1984.
London gallery, latterly Mayfair, UK, collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Housed in five linen-covered boxes, covering objects from the Old Kingdom, royal sculpture, general sculpture, and amulets, etc. 3.78 kg total, 26.5 x 16.5 x 6.5 cm each box

Property of archaeologist Stephanie Gee, N.W. London, UK, 1960s-1980s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Stephanie Gee was a prominent archaeologist who took part in several expeditions in Egypt. She was a trusted assistant to the British-Australian archaeologist Veronica Seton-Williams, who excavated in Egypt, Britain, and the Near East. Stephanie also took part in the Tell El-Farâ'în expeditions of 1965-1968, and assisted Seton-Williams with preparing the 1966 expedition report. Their collaboration continued and Stephanie helped with the manuscript of Seton-Williams’ book ‘The Road to El-Aguzein’, a narrative account of her life that was first published in 1988.

Discoid base with crouching frog pierced longitudinally for threading; underside with a solar disc and unidentified symbol. 0.56 grams, 13 mm

Ex R. Liechti (1934-2010) Geneva, Switzerland, formed between 1950-1990s.

Accompanied by a copy of an old collection inventory note.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Lacovara, P., and Markowitz, Y.J., Jewels of the Nile: Ancient Egyptian Treasures from the Worcester Art Museum, Worcester MA, 2020, p. 116, no.1925.594, for similar.

Circular in plan with smoothed faces, pierced through the edge. 238 grams, 13.3 cm

Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cf. Petrie, W.M.F., Corpus of Prehistoric Pottery and Palettes, London, 1917, pl.LIII, 77, for two similar examples from the Predynastic cemetery at Tarkhan.

Palettes were utilitarian objects used in the Predynastic Period to grind and mix mineral-based eye pigments (including ochre, malachite, and haematite). Greywacke cosmetic palettes were easily carved in various shapes and sizes, including zoomorphic representations and geometric forms. The symbolism of this circular palette may be connected to the sun disc, which featured prominently in ancient Egyptian culture. The palette was so significant in Predynastic society that purely ceremonial versions, often impractically large for their original purpose, were produced for use in temple rituals. The most famous is the highly decorated Narmer Palette discovered at Hierakonpolis.