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Ancient Art, Antiquities, Books, Natural History & Coins
Ex collection of the late Mr S. M., London, UK, 1970-1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the 'S' collection, acquired 1970-1990s.
The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12714-234416.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the 'S' collection, acquired 1970-1990s.
The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
UK private collection before 2000.
Acquired on the UK art market.
Private collection, London, UK.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Acquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the collection of a gentleman, acquired on the London art market in the 1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the 'S' collection, acquired 1970-1990s.
Accompanied by a description by Peter Gert Van der Veen, senior lecturer of Levantine Archaeology, Johannes Gutenberg-Universität, Mainz.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
with a London, UK gallery 1971-early 2000s.
Private collection, London, UK.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the 'S' collection, acquired 1970-1990s.
Accompanied by a description by Peter Gert Van der Veen, senior lecturer of Levantine Archaeology, Johannes Gutenberg-Universität, Mainz.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Private European collection, 1985.
with Christie’s, New York, 3 June 2009, no.35.
Private collection, Europe.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12358-226703.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Woolley, L., Medio Oriente, Milano, 1961, for a comparison with a famous gold bull’s head from the Ur’s lyre; Settgast, J., Von Troja bis Amarna, The Norbert Schimmel Collection, Mainz, 1978, no.120, for a club head with similar bull heads; Kramer, S.N., I Sumeri, alle radici della storia, Milano, 1979; see also a copper-alloy head in the British Museum, from Ubaid (Museum Number 118015) in Spicket, A., La statuaire du Proche-Orient Ancien, Leiden, 1981, p.137; Van Dijk-Coombes, R. M., ‘Mesopotamian Gods and the Bull’ in Sociedades Precapitalistas, 8(1), December 2018, pp.1-15.
In Sumerian mythology, the bull was associated with the storm and rain god Hadad (Iškur), and is widely represented on artworks (Woolley, 1961, pp.46, 52; Kramer, 1979, figs.17, 18, 22). The round inlaid eyes are typical of Sumerian art of Early Dynastic Period, as well as the triple eyebrows.
From the 'S' collection, acquired 1970-1990s.
The collection was seen and studied by W.G. Lambert, late Professor of Assyriology at the University of Birmingham, 1970-1993.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12716-234924.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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